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THE LIFE BLOOD OF THEATRE By Annie Power and Tippy Elgar


New theatre company OPEN PAGE PRODUCTIONS brings a new angle to refresh theatre


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ROUND UP OF 2023: THE HIGHLIGHTS


With around 130,000 visitors to the magazine in 2023, we take a look back over the year at the major events and most memorable stories.


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REVIEWERS CHOICE OF BEST SHOWS 2023


A selection of our reviewers write about their favourite shows of the year.


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David J Keogh shares LESSONS LEARNT AS A FIRST-TIME THEATRE-TOUR PRODUCER ... or how to sort the bad from the good when going on tour



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David J Keogh is multiple award-winning produced screenwriter. He specializes in drama, comedy and dramedy for television, film and stage.


Why director Finlay Glen is staging Ena Lamont Stewart’s plays from 1970s, almost 50 years after they were first written.

 

Knocking on the Wall by Ena Lamont Stewart is at the Finborough Theatre until 24 November


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MAKING THEATRE SUSTAINABLE: Introducing THEATRE GREEN BOOK

by Heather Jeffery (First published November 2021)


This article is an overview of Theatre Trust Conference at Lyric Theatre on the need to reduce our carbon footprint. It also includes a link to reducing our digital carbon footprint. 


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PLAYS SET IN A PUB 'A man walks into a bar' by David Weir


'A man walks into a bar.' It’s the opening line of a hundred hoary old gags, but it’s also the launchpad for some of the world’s finest plays. David Weir takes a look at when pub theatre is also theatre set in a pub.


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ACTOR’S LIFE by Sarah Thom


"My actor’s life has certainly been an eclectic one. It feels fitting that I’m writing this article in the middle of remounting my *’bonkers and beautiful’ one-woman show, BEAK SPEAKS." 


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Why London's pub theatre scene feels like home from home by Chicago born director PETER CIEPLY


His belief in synchronising heartbeats, losing a suspension of disbelief, and UK premiere of THIS BITTER EARTH by Harrison David Rivers at White Bear Theatre in Kennington opening 21 February 2023

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TIME FOR THE RETURN TO THEATRE OF THE ABSURD

By Mark Daniels of Flugelman Productions
Satirising the unsatirisable – with the often ridiculous political climate we live in, is it time for the return of absurd theatre?

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IF by Richard Braine


Extolling the virtues of pub theatres with a little help from the 'old jingoist'.


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THE KEY TO CREATIVITY

by Siân Rowland


If you’ve been feeling isolated and lost your creative mojo there is bound to be something here to suit. The key aim for all of them? Stay connected. 


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AN ACTOR PREPARES BADLY

by Richard Braine


My first acting work, post Covid, an audio piece based on those brilliant books by Toby Clement Kingmaker: Winter Pilgrims, was to be made in the grounds of Leiston Abbey, in Suffolk. The whole thing sounded to me like bliss. I urged my agent to accept.

"First things first Richard", said my director, "all the read through and rehearsals will be socially distanced and we will be using Zoom’"


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WHAT WILL PUB THEATRE BE LIKE WHEN IT REOPENS? 

by Andy Curtis 


It is estimated that the performing arts is a £5 billion industry with cumulative audiences comparable to Premier League football crowds. Whilst pub theatres will not see anything like this kind of revenue or audiences, its part in the theatre ecology is beyond doubt.


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THEATRE AND THE PLAGUE Not dead only resting

David Weir takes a satirical view on how theatre and creatives have survived past crisis.


WOMEN IN THEATRE: Playwrights Part 1

WHAT DO WOMEN WANT TO SAY?  Covering the developments in women’s writing over the last five years, we take a look at what women are saying through their writing, both in story and in themes.  


WOMEN IN THEATRE: Playwrights Part 2

WHAT DO WOMEN WANT TO SAY?  Continuing the Coverage of the developments in women’s writing over the last five years


PANTS DOWN THEATRE

Mikey Swain identifies a new genre of theatre


FRINGE THEATRE by Annie Power


An insightful history of the fringe along with a list of fringe festivals not to be missed


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THE GREAT TRAIN ROBBER WHO NEVER WAS 

Richard Braine recalls working with the legendary Syd Golder - the notorious gangster who became the unlikely champion of London's fringe theatre.


HOW SHOULD AUDIENCES BEHAVE?

Alex Hayward investigates the worst and the best behaviour.


SEX IN LONDON PUB THEATRES

Richard Braine's ironic take on censure, sex and talking dirty.


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