STANDING OVATION AWARDS and

LONDON PUB THEATRE OF THE YEAR AWARDS 2024

WINNERS ANNOUNCED

at an awards ceremony at Upstairs at the Gatehouse on Sunday 20 October 2024


PUB THEATRE OF THE YEAR 2024


Co-Artistic Directors James Wren and Felicity Wren, and theatre manager Mark Lyminster, UNRESTRICTED VIEW at THE HEN AND CHICKENS THEATRE



RUNNER UP FOR PUB THEATRE OF THE YEAR 2024


David Brady, PROFORÇA Theatre Company at LION AND UNICORN THEATRE



COMMENDATION for EXCELLENCE


AWARDED for the brilliant teamwork of Producer Richard Lambert, Director Robert McWhir and Musical Director Aaron Clingham at STAGE DOOR THEATRE

 

 

COMMENDATION FOR SERVICES TO NEW WRITING


Artistic Director Sharon Willems and Company Manager Leo Bacica, KIBO PRODUCTIONS at BARONS COURT THEATRE


Images by Ross Kernahan 

Image: Burnt Orange Theatre Company WINNER OF SPECIAL AWARD FOR EXCELLENCE for their YOUTH THEATRE REPERTORY COMPANY (Photo by Ross Kernaham)



STANDING OVATION AWARDS nominees and winners in red



BEST PRODUCTION (New writing)

 

THE GREAT PRIVATION (How to flip ten cents into a dollar) by Nia Akilah Robinson at Theatre503

 

FOAM by Harry McDonald at Finborough Theatre

 

A WOMAN WALKS INTO A BANK by Roxy Cook at Theatre503 

 

IN CLAY Musical at Upstairs at the Gatehouse, Book & Lyrics by Rebecca Simmonds, Music & Lyrics by Jack Miles




BEST ACTOR

 

Robert Bathurst as Jeffrey in JEFFREY BERNARD IS UNWELL by Keith Waterhouse at Coach and Horses, Soho 

 

Joshua J Parker in the title role THE LIFE AND DEATH OF RICHARD III, after William Shakespeare, Messy Kind Theatre at Barons Court Theatre 

 

Luke Rose in DC RICHARD HEAD by Luke Rose at Canal Café

 

Matthew Zajac in THE TAILOR OF INVERNESS at Finborough



 

 


NEW WRITING

 

Seth Jones & David Keogh for PAST TENTS at White Bear Theatre, Brockley Jack Theatre and Golden Goose Theatre

 

Saskia Mollard and Tobias Abbot for EUCHARIST Springbok Production House at Etcetera Theatre

 

Luke Adamson for THE GIRL IN THE GREEN ROOM at Bridge House Theatre

 

Eleanor Boes for WE WEREN'T INNOCENT, WE WERE GIRLS at White Bear Theatre

 



REDISCOVERY/ADAPTATION

 

KNOCKING ON THE WALL by Ena Lamont Stewart at Finborough Theatre 

 

Shakespeare’s THE TEMPEST by Burnt Orange Repertory Company at Drayton Arms

 

HANSEL AND GRETEL by Engelbert Humperdinck / Opera Kipling, Camden Fringe Festival at Upstairs at the Gatehouse

 



OUTSTANDING PRODUCTION VALUES

 

THE GENTLEMAN OF SHALOTT by Gareth Watkins at The hope Theatre - Set and props by Stephen Stephenson, soundscape by Craig Byrne and lighting by Daniel Philipson

 

A WOMAN WALKS INTO A BANK by Roxy Cook at Theatre503 - Set design by David Allen, lighting design by Joe Price and sound design by  Hugh Sheehan

 

THE SECRET GARDEN by Take Note Theatre at The Tabard Theatre - Designer Hazel Owen and lighting designer Nat Green, music by Nick Gilbert and costume designer Alice McNicholas

 



INNOVATIVE PRODUCTION

 

THE GENTLEMAN OF SHALOTT by Gareth Watkins at The hope Theatre

 

FIRE EMBERS ASH by Hailey Mashburn at Barons Court Theatre

 

A WOMAN WALKS INTO A BANK by Roxy Cook at Theatre503

 



COMEDY

 

SPY MOVIE: THE PLAY! by Matthew Howell and Jack Michael Stacey at The Hope Theatre

 

PAST TENTS by Seth Jones and David J. Keogh at White Bear Theatre, Jack Studio Theatre and Golden Goose Theatre

 

ATTENTION SPAN by Joseph Hollas, Brave Mirror Productions, Camden Fringe at The Hen & Chickens Theatre

 

 

 

NEW PLAY RAISING AWARENESS

 

HOW DID I GET HERE by Helen Squires at Bread and Roses Theatre 

A really important play, raising the understanding of addiction, in an illuminating and entertaining way.

 

SPLINTER by Martha Loader at Jack Studio Theatre

A tender look at early onset dementia; a hauntingly heartbreaking ode to love and memory.

 

THE WORDS ARE THERE by Ronan Dempsey at The Hope Theatre

Explores the subject of domestic violence towards men, with the male victim enduring emotional, mental and physical abuse.

 

RED PILL by Sam Went at The Lion & Unicorn Theatre

Highlights the part the internet can play in radicalisation.

 



DUOLOGUE/TWO HANDER

 

Matthew Parker and Bryan Pilkington for OH NO IT ISN’T by Luke Adamson at Jack Studio Theatre

 

ROSALINE AND JULIET written and performed by Lily Roberts and Lara Lawman / Tale Blazers Theatre Company, Camden Fringe at Lion and Unicorn Theatre

 

EUCHARIST written and performed by Saskia Mollard and Tobias Abbott / Springbok Production House at Etcetera Theatre

 

Oliver Maynard and Nick Hyde for DOUBLE ACT by Nick Hyde at Lion and Unicorn Theatre

 



ENSEMBLE ACTING

 

HOW DID I GET HERE? By Helen Squires at The Bread & Roses Theatre - Actors: Luke Madaj, Yan Toby-Amisi, Erica Taveres-Kouassi, and Niamh Drumgoole

 

WE WEREN'T INNOCENT; WE WERE GIRLS by Lucid Blue Stories at White Bear Theatre - Actors: Liv Hodder, Allie Aylott, Lucy-Lou Gallivan, Hannah Dootson, Sophie Reisner, Declan Adamson

 

THE HOUSE WE INHERIT at Bridge House Theatre - Actors: Sarah Majland, Boyan Petrov, Öncel Camcı

 

DRESSING GOWN by Andrew Cartmel at Theatre at the Tabard - Jamie Hutchins, Ryan Woodcock, Rosie Edwards & Freya Alderson

 

CONSTELLATIONS by Burnt Orange Theatre at Drayton arms Theatre -  Youth ensemble

 



BLACK BOX

 

MAGGOTS by Farah Najib at Lion and Unicorn Theatre

 

THE GIRL IN THE GREEN ROOM by Luke Adamson at Bridge House Theatre

 

THE TRIALS OF GALILEO by Nic Young at The Old Red Lion Theatre

 



SOLO SHOW

 

Alfredo Mudie Smart as CHET BAKER: Let’s Get Lost by Tim Connery at Bridge House Theatre

 

CARELESS TALK Adapted and performed by Ali Williams Camden Fringe at Rosemary Branch Theatre

 

THE OLD QUEEN’S HEAD Written and performed by David Patterson at The Lion and Unicorn

 

HER SHOES Writer and Performed by Megan Marszal at Old Red Lion Theatre

 

 

 

DIRECTOR

 

Jenny Eastop for DRESSING GOWN by Andrew Cartmel at Theatre at the Tabard

 

Matthew Iliffe for FOAM by Harry McDonald at Finborough Theatre

 

Callum Sharp for THE GREATEST PLAY OF ALL TIME at Old Red Lion Theatre

 

Sharon Willems for THREE QUEENS by Rosamund Gravelle at Barons Court Theatre

 

Robert McWhir (director) and Aaron Clingham (Musical director) for THE STORY OF MY LIFE at Stage Door Theatre




SPECIAL AWARD - COMMENDATION FOR EXCELLENCE


BURNT ORANGE THEATRE FOR THEIR NEW YOUTH REPERTORY THEATRE

For Shakespeare’s The Tempest and Constellations by Nick Payne, both at Drayton Arms Theatre

 


 LONDON PUB THEATRES AWARD WINNERS 

2019 - 2023 are listed below


Current award nominations are listed here

LPTM AWARD WINNERS 2023

Announced in a ceremony at Upstairs at the Gatehouse (October 2023)


PUB THEATRE OF THE YEAR 2023 is awarded to

BROCKLEY JACK THEATRE

led by Artistic Director Kate Bannister



RUNNER UP for PUB THEATRE OF THE YEAR 2023

is awarded to

 ETCETERA THEATRE led by Otto Jäger



COMMENDATION FOR SERVICES TO NEW WRITING

is awarded to

Artistic Director Lisa Spirling and Literary Manager Steve Harper and team at THEATRE503


 

COMMENDATION for OUTSTANDING ACHIEVEMENT

is awarded to Zena Barrie and Michelle Flower, founders and directors of

CAMDEN FRINGE FESTIVAL since 2006. 



Standing Ovation nominees and Award Winners 2023 are shown below

WINNERS ARE IN RED


BEST PRODUCTION

THE JOURNEY TO VENICE by Bjørg Vik, directed Wiebke Green / Produced by Anarchy Division at FINBOROUGH THEATRE  

A CHRISTMAS CAROL directed by Kate Bannister / in-house show at JACK STUDIO THEATRE  

NOT NOW by David Ireland, directed by Max Elton / 19th Street Productions at FINBOROUGH THEATRE  

WINNER: THE RETURN OF BENJAMIN LAY by Naomi Wallace and Marcus Rediker, directed by Ron Daniels / Produced by Arsalan Sattari at FINBOROUGH THEATRE  

 

BEST PRODUCTION (Musical theatre) 

NEXT DOOR’S BABY by Bernie Gaughan & Matthew Strachan directed by Keith Strachan / Take Note Theatre at THEATRE AT THE TABARD

ABOUT BILL by Matthew Strachan & Bernie Gaughan, starring Kim Ismay, directed by Keith Strachan at THEATRE AT THE TABARD  

WINNER: SUMMER IN THE CITY by Jennifer Selway / Produced by Ovation at UPSTAIRS AT THE GATEHOUSE

 

REDISCOVERY/ADAPTATION

A CHRISTMAS CAROL adaptation by Ross McGregor, directed by Kate Bannister at JACK STUDIO THEATRE

WINNER: George Orwell’s ANIMAL FARM adapted by Paul Stebbing, directed by Gaspard Legendre / produced by Adge-Tnt & Theatre du Heron at GOLDEN GOOSE  THEATRE

MAKESHIFTS / REALITIES / HONOUR THY FATHER triple bill, Directed by

Melissa Dunne / produced by Andrew Maunder for Aardvark Theatre at FINBOROUGH THEATRE

 

OUTSTANDING PRODUCTION VALUES Design (sound/lighting/costume/set)

KITTY IN THE LANE JACK STUDIO THEATRE / Lighting Design by Alex Forey, Set Design by Constance Comparot, Sound Design by Florence Hand, Sounding and Lighting Operator: Scarlett Bryan

A CHRISTMAS CAROL at JACK STUDIO THEATRE / Set Design: Karl Swinyard, Sound Design and Composition: Julian Starr, Lighting Design: Carey Chomsoonthorn, Costume Design: Martin J Robinson, Video Design: Douglas Baker, Song composition: Joseph Hardy

THE RETURN OF BENJAMIN LAY by Naomi Wallace and Marcus Rediker at FINBOROUGH THEATRE / Set Designer Riccardo Hernandez & Isobel Nicolson,  Costume Designer Isobel Nicolson, Lighting Design Anthony Doran, Sound Design John Leonard

 

ACTORS AWARD  

Edmund Dehn for LEAR ALONE /  And Tomorrow Theatre Company at GOLDEN GOOSE THEATRE

Brendan Dunlea for PADDY GOES TO PETRA by Áine Ryan, at JACK STUDIO THEATRE

Tapiwa Mugweni as Amman in MY BROTHER’S KEEPER at THEATRE503

WINNER: Áine Ryan for KITTY IN THE LANE at JACK STUDIO THEATRE


ACTORS AWARD FOR LIFETIME ACHIEVEMENT 

Recipient: Edmund Dehn

Most recently for LEAR ALONE as Lear at Golden Goose Theatre (2023), Power Luncheon as Churchill at The Hope (2022) and Death of a Hunter as Ernest Hemingway at Finborough (2018). But his career spans back to 1979 in repertory theatre for a 9-month season playing Mr Manningham, Banquo and Judge Brack amongst other roles.  He was also actor in the first performance at the Finborough Theatre when it was opened in 1980.

 

SUPPORTING ROLE  

WINNER: Catherine Warnock as actor-musician in BLACK CAT by Edgar Allan Poe, directed by Selwin Hulme-Teague at KING’S HEAD THEATRE

Shane Convery in THE BOYS ARE KISSING at THEATRE503

Kishore Walker in THE BOYS ARE KISSING at THEATRE503

 

DUOLOGUE/TWO HANDER

Max Sterne and Martin Edwards in THIS BITTER EARTH directed by Peter Cieply / Produced by Storefront Theatre London and Sarah Lawrie at THE WHITE BEAR THEATRE

WINNER: Tallulah Bond and Douglas Clarke-Wood for SCORCHED BY Tallulah Bond at ETCETERA THEATRE

Laura Mugford  and Joseph Ryan-Hughes for ONE DAY WHEN WE WERE YOUNG/ Just a Regular House Theatre Company at BARONS COURT THEATRE

 

ENSEMBLE ACTING

TWO GENTLEMEN OF VERONA directed by Evan L Barker / The Messy Kind Collective and BO15 Productions Ltd at BARONS COURT THEATRE  Cast Hugo Papiernik, Paul Surel, Tor Leijten, Lavinia Grippa, Harry Rose, Izzi McCormack-John, Alun Rees, Gemskii, Bradley Luckett, Rosanna Vikberg

SCAVENGERS Writer/Director Bryan Oliver / Urban Wolves Theatre Company at ETCETERA THEATRE /Camden fringe / Cast Matteo Piombino, Grace Richardson, Neil Hobbs

WINNER: MAKESHIFTS / REALITIES / HONOUR THY FATHER Directed by Melissa Dunne at FINBOROUGH THEATRE Cast: Poppy Allen-Quarmby, Joe Eyre, Andrew Hawkins, Beth Lilly, Philippa Quinn, Akshay Sharan, Suzan Sylvester

 

BLACK BOX 

BROWN GIRL NOISE by Kaya Uppal, Directed by Neetu Singh at THE HOPE THEATRE / Camden Fringe

MEDIOCRE WHITE MALE by Will Close and Joe Von Malachowski (Produced by Metal Rabbit) at KING’S HEAD THEATRE

WINNER: HOW WE BEGIN by Elisabeth Lewerenz (Produced by Surfacing Acts Theatre and Antonia Georgieva) at VAULT Festival February, premiered at King's Head Theatre (2019)

 

COMEDY

GAY WITCH SEX CULT script and performance by Andrew Doherty, direction by Martin Willis,/ Objectively Funny at KING’S HEAD THEATRE  

AN ABSOLUTE FARCE OF A MURDER MYSTERY by Peter Rae at DRAYTON ARMS THEATRE

WINNER: YIPPEE KI YAY written and performed by Richard Marsh (produced by James Seabright) at KING'S HEAD THEATRE

 

SOLO SHOW (written by the performer)

Aine Ryan for KITTY IN THE LANE at JACK STUDIO THEATRE   

WINNER: Mark Farrelly for THE SILENCE OF SNOW toured to Tabard Theatre / Jack Studio Theatre / Bridge House Theatre / King's Head  

Yan Toby-Amisi for BLUD (produced by vant-gard) at ETCETERA THEATRE

Grace Quigley for BLUEWATER at KING’S HEAD THEATRE

 

DIRECTOR

WINNER: Keith Strachan for NEXT DOOR’S BABY and ABOUT BILL  at THEATRE AT THE TABARD

Wiebke Green for JOURNEY TO VENICE at FINBOROUGH THEATRE  

Phil Bartlett for THE MOORS by Jen Silverman at THE HOPE THEATRE

Lisa Spirling for THE BOYS ARE KISSING at THEATRE503

David Brady for THE SHATTER BOX by James Lewis / Proforça Theatre at THE LION AND UNICORN THEATRE

 

NEW WRITING

Neil Weatherall for DO IPHONES DREAM Of ELECTRIC SHEEPLE?/ 5Go Theatre Company at LION AND UNICORN THEATRE

Tallulah Bond for SCORCHED at Etcetera Theatre

WINNER: Aine Ryan for PADDY GOES TO PETRA at JACK STUDIO

Zak Zarafshan for THE BOYS ARE KISSING THEATRE503

 

INNOVATIVE PLAY

WINNER: BODY 115 by Jan Noble at THE HOPE THEATRE 

YIPPEE KI YAY written and performed by Richard Marsh (produced by James Seabright) at KING’S HEAD THEATRE

AND THEN THE RODEO BURNED DOWN written and performed by Chloe rice and Natasha Roland (Produced by theSpaceUK in association with Nicholas Abrams & Richard Williamson) at KING’S HEAD THEATRE 

 

NEW PLAY RAISING AWARENESS 

ONE LAST WALTZ by Luke Adamson at BRIDGE HOUSE THEATRE

FAUN by Vinnie Heaven at THEATRE503

WINNER: VITAMIN D by Saher Shah at ROSEMARY BRANCH Look for the Woman festival

LONDON PUB THEATRES AWARD WINNERS 2022

AT UPSTAIRS AT THE GATEHOUSE (October)


PUB THEATRE OF THE YEAR 2022

Neil McPherson and team at the FINBOROUGH THEATRE

 

RUNNER-UP - PUB THEATRE OF THE YEAR 2022

Helen, Damien and Róisín Devine at OLD RED LION THEATRE

 

COMMMENDATION FOR OUTSTANDING ACHIEVEMENT

Emma Taylor (producer) and Founder Professor Michael Hodd for NEWSREVUE at CANAL CAFÉ THEATRE

OUTSTANDING CONTRIBUTION TO PUB THEATRES

Michael Kingsbury, Artistic Director and Founder of WHITE BEAR THEATRE and GOLDEN GOOSE THEATRE

 

STANDING OVATION AWARD WINNERS

 

 

BEST PRODUCTION 

YES SO I SAID YES by David Ireland / 19th Street Productions at Finborough Theatre  

 

BEST PRODUCTION – MUSICAL THEATRE 

FIVE GUYS NAMED MOE /Ovation Productions/Upstairs at the Gatehouse in Highgate   

 

BEST PRODUCTION – premiere Joint-winners 

BACON by Sophie Swithinbank/Salt Lick Productions at Finborough Theatre and

TIL DEATH DO US PART by Safaa Benson-Effiom at Theatre503   

 

OUTSTANDING PRODUCTION VALUES 

HOLST: THE MUSIC IN THE SPHERES and PAYNE: THE STARS ARE FIRE by Ross McGregor /

Arrows & Traps Theatre at Jack Studio Theatre   

 

SOLO SHOW – written by performer 

Collette Cooper for TOMORROW MAY BE MY LAST: THE JANIS JOPLIN STORY at Old Red Lion Theatre 

 

INNOVATIVE NEW PLAY 

Nellie Bly’s TEN DAYS IN A MADHOUSE adapted by Douglas Baker, at Jack Studio Theatre 

 

COMEDY 

GAME NIGHT by Ear to Ear Productions/at The Hen and Chickens Theatre

   

NEW PLAY RAISING AWARENESS   

CELL OUTS by Glasshouse Theatre at King’s Head Theatre   

 

ACTORS AWARD 

Siobhan Redmond for THE STRAW CHAIR by Sue Glover at Finborough Theatre 

 

ENSEMBLE ACTING  

Ossian Perret, Joseph Potter, Charlie MacGechan, Denise Laniyan for THE

DWARFS by Harold Pinter / Flying Colours Productions at White Bear Theatre 

 

DUOLOGUES - acting   

Corey Montague-Sholay and William Robinson for BACON by Sophie Swithinbank/

Salt Lick Productions at Finborough Theatre 

 

 ACTORS AWARD FINALIST - supporting role   

Laurel Marks playing Cecilia Payne in HOLST: THE MUSIC IN THE SPHERES by Ross McGregor /

Arrows and Traps Theatre at Jack Studio Theatre   

 

BLACK BOX THEATRE

TELL ME STRAIGHT by Paul Bradshaw at Chiswick Playhouse (Theatre at the Tabard) 


 

The Awards are run by London Pub Theatres Magazine www.londonpubtheatres.com    

   

Editor: Heather Jeffery hjwrites@aol.com  (Features, stories, interviews)

Enquiries@londonpubtheatres.com  (Advertising and to request a reviewer)


FINALISTS FOR STANDING OVATION AWARD 2022



BEST PRODUCTION


THE DWARFS by Harold Pinter / Flying Colour Productions at White Bear Theatre


THE STRAW CHAIR by Sue Glover /True Name Productions at Finborough Theatre


YES SO I SAID YES by David Ireland / 19th Street Productions at Finborough Theatre


 

BEST PRODUCTION (musical theatre)


FIVE GUYS NAMED MOE/Ovation Productions/Upstairs at the Gatehouse in Highgate


 

BEST PRODUCTION (premiere)


BACON by Sophie Swithinbank/Salt Lick Productions at Finborough Theatre


HOLST: THE MUSIC IN THE SPHERES and PAYNE: THE STARS ARE FIRE by Ross McGregor / Arrows and Traps Theatre at Jack Studio Theatre


MORENO by Pravin Wilkins at Theatre503


TIL DEATH DO US PART by Safaa Benson-Effiom at Theatre503 


 

OUTSTANDING PRODUCTION VALUES


THE DWARFS by Harold Pinter / Flying Colours Productions at White Bear Theatre


DEV’S ARMY by Stuart D Lee/Strange Fish at Bread and Roses Theatre


HOLST: THE MUSIC IN THE SPHERES and PAYNE: THE STARS ARE FIRE by Ross McGregor / Arrows & Traps Theatre at Jack Studio Theatre 


Nellie Bly’s TEN DAYS IN A MADHOUSE adapted by Douglas Baker, at Jack Studio Theatre


 

SOLO SHOW – written by performer


Collette Cooper for TOMORROW MAY BE MY LAST: THE JANIS JOPLIN STORY at Old Red Lion Theatre


Kieran Dee for TIFO / Moon Loaf at The Lion and Unicorn Theatre


Rachel Hammond for JOSHUA (AND ME) at The Hope Theatre and Pleasance Dome (Ed Fringe)


Bob Karper for OH! SUBURBIA! at The Hope Theatre


Debs Newbold for LOST IN BLUE / Lion & Unicorn Theatre 


 

INNOVATIVE NEW PLAY


BACON by Sophie Swithinbank/Salt Lick Productions at Finborough


RED PILL by Sam Went /Blue Bar Productions at Lion & Unicorn


Nellie Bly’s TEN DAYS IN A MADHOUSE adapted by Douglas Baker, So It Goes at Jack Studio Theatre


 

COMEDY

 

GAME NIGHT by Ear to Ear Productions/at The Hen and Chickens Theatre


THE MAN IN THE SHED /JLA Productions at Bridge House Theatre


THE PLAYERS OF DIEDONÉ by Hideout Theatre Company at Lion and Unicorn Theatre


 

NEW PLAY RAISING AWARENESS


CELL OUTS by Glasshouse Theatre at King’s Head Theatre


MOMENT OF GRACE Bren Gosling / Backstory Ensemble Productions at The Hope Theatre


MORENO by Pravin Wilkins at Theatre503 until 26 March 2022


A TYPICAL SISTER by Pound of Flesh at The Bridge House Theatre


 

ACTORS AWARD


Toby Wynn-Davies (as Holst) in HOLST: THE MUSIC IN THE SPHERES by Ross McGregor / Arrows and Traps Theatre at Jack Studio Theatre


Rosanna Harris as Barbara Streisand in THE FUNNY GIRLS by Roy Smiles at Upstairs at the Gatehouse


Tice Oakfield for his solo performance in THE WOMAN WHO AMUSES HERSELF by Victor Lodato at Jack Studio Theatre


Daragh O'Malley for YES, SO I SAID, YES I said yes at Finborough Theatre


Siobhan Redmond for THE STRAW CHAIR by Sue Glover at Finborough Theatre


Peter Saracen for SHORT MEMORY by Richard Roques at Golden Goose Theatre


 

ENSEMBLE ACTING


Ossian Perret, Joseph Potter, Charlie MacCechan, Denise Laniyan for THE DWARFS (Harold Pinter adaptation) Flying Colours Productions at White Bear Theatre


Jude Chinchen, Richard Holt, Danielle Kassaraté for TIL DEATH DO US PART by Safaa Benson-Effiom at Theatre503


Hattie Kemish, holly McComish, Bethany Monk Lane, Cameron Wilson for A GOOD TIME WAS HAD BY ALL by Sam Smithson / Not Quite Ready Productions at The Hope Theatre


 

DUOLOGUES (acting)


Corey Montague-Sholay and William Robinson for BACON by Sophie Swithinbank/Salt Lick Productions at Finborough Theatre


Julian Bird and Séan Browne in FREUD’S LAST SESSION by Mark St Germain at King’s Head Theatre


Naoimh Morgan & David Persiva for US by David Persiva at White Bear Theatre



ACTORS AWARD (supporting role)


Laurel Marks playing Cecilia Payne in HOLST: THE MUSIC IN THE SPHERES by Ross McGregor / Arrows and Traps Theatre at Jack Studio Theatre


Rori Hawthorn as Isabel in THE STRAW CHAIR by Sue Glover at Finborough Theatre


Hayden McLean playing Cre’von Garcia in MORENO by Pravin Wilkins at Theatre503 

 

 

BLACK BOX (play)


ABOUT 500 - A WOMAN’S RACE AGAINST TIME by Simona Hughes at King’s Head Theatre / Springboard Festival


THE SPIRAL PATH by Andrew Craig Sharpe at White Bear Theatre, Kennington


TENDERFOOT by Edith Pearlman /3 Way Tango Theatre at Drayton Arms Theatre


TELL ME STRAIGHT by Paul Bradshaw at Chiswick Playhouse

 

 

CONGRATULATIONS TO ALL FINALISTS


2021 WINNERS ANNOUNCED

24 October 2021

At Lion and Unicorn Theatre


Awards in pictures here



LONDON PUB THEATRE OF THE YEAR 2021

Directors: Lisa Spirling and Andrew Shepherd at Theatre503


 

 

RUNNER-UP LONDON PUB THEATRE OF THE YEAR 2021

Artistic Directors: James Wren and Felicity Wren at The Hen and Chickens Theatre


 

COMMENDATION FOR SERVICES TO PUB THEATRES

Artistic Director: David Brady at The Lion and Unicorn Theatre



STANDING OVATION AWARD WINNERS 2021

BEST PRODUCTION       

LONDON ZOO by Farine Clarke, directed by Samantha Pears, UnEqual Productions Ltd at Bread and Roses Theatre / PIPPIN Presented by LAMBCO Productions, The Garden Theatre at The Eagle, Vauxhall / SNOWFLAKES by Robert Boulton, Dissidents Theatre Company at Old Red Lion Company / TRESTLE by Stewart Pringle, directed by Matthew Parker at Jack Studio Theatre


BEST PRODUCTION (REGIONAL TRANSFER)       

A NIGHT IN NOVEMBER by Marie Jones/ Soda Bread Theatre at Chiswick Playhouse


REDISCOVERY / ADAPTATION       

VILLAGE WOOING by George Bernard Shaw, SHAW2020 Theatre Company at Etcetera Theatre / TIER THREE SISTERS by Knuckledown at The Hope Theatre


OUTSTANDING PRODUCTION VALUES         

WOLVES ARE COMING FOR YOU by Joel Horwood at The Jack Studio Theatre / SNOWFLAKES by Robert Boulton, Dissidents Theatre Company at Old Red Lion Theatre / NO STRINGS ATTACHED by Charles Entsie, Produced by King’s Head Theatre at The Ignition Room, Islington Square


INNOVATIVE PLAY     

SIX SERPENTS AND A TARANTULA by Maryanna Clarke, Old School Players at The Hen and Chickens Theatre and on tour / TETHERED by Georgie Bailey, ChewBoy Productions at Lion and Unicorn Theatre


NEW PLAY RAISING AWARENESS       

DEAF EARS – HOW I LEARNED TO HEAR by Joe Friedman at The Hen and Chickens Theatre / ALL THAT by Shaun Kitchner, directed by James Callàs Ball at The Kings Head Theatre


COMEDY       

BORROWED TIME by Garth Oates, Flat A Creative at Hen and Chickens Theatre / BADGERS CAN’T BE FRIENDS by Joe Skelton, Raving Mask Theatre at King’s Head Theatre


ACTOR       

A RAT, A RAT by Chloe Yates at Golden Goose Theatre, Finalist - Rose Reade / HEMATOMA written and performed by Kieran Dee, Moon Loaf Theatre Company at Lion and Unicorn Theatre Finalist - Kieran Dee / MASKS/TIDAL double bill by Red Hair Theatre at The Ninth Life Finalist - Peter Watts / A NIGHT IN NOVEMBER by Marie Jones, Soda Bread Theatre at Chiswick Playhouse Finalist - Matthew Forsythe / AAAAA (FIVEA) by David Brady, Jack Albert Cook, Gabrielle Nellis-Pain & Kim Scopes at Lion and Unicorn Theatre Finalist - Daniel Rainford 

 

ENSEMBLE ACTING       

THE NOBODIES by Amy Guyler, Chalk Line Theatre at Lion & Unicorn Theatre Finalists: David Angland, Joseph Reed, Lucy Simpson / SNOWFLAKES by Robert Boulton, Dissidents Theatre Company at Old Red Lion Company Finalists: Robert Boulton, Niamh Finlay, Henry Davis / LONDON ZOO by Farine Clarke, UnEqual Productions at Bread and Roses Theatre Finalists: Louie Keen, Mike Duran, Natalie Lauren, Adil Akram, Derek Jeck and Cal-I Jonel / TIER THREE SISTERS by Knuckledown at The Hope Theatre Finalists: Bryony Davies, Chloe Wade and Chloe Metcalfe / ABOUT MONEY by Eliza Gearty, 65% Theatre at Theatre503  Finalists: Emma Tracey, Michael McCardie, Matthew Boyle, Isabele Derosa and Rohit Kumar


BLACK BOX         

SWIMMING by Alex Bower, directed by Kayla Feldman at The White Bear / MARY & MIETEK Burning Pages & Katla Theatre Company at The Hen & Chickens Theatre / THE NOBODIES by Amy Guyler, Chalk Line Theatre at Lion & Unicorn Theatre & on tour / HEMATOMA written and performed by Kieran Dee, Moon Loaf Theatre Company at Lion & Unicorn Theatre / SEEKING ARRANGEMENT by Alexandra Hannant, Burning Brick theatre Company at King’s Head Theatre


THEATRE ONLINE       

LATE NIGHT STARING AT HIGH RES PIXELS by Athena Stevens, Finborough / V-DAY 2021: Raise the Vibration, Bread & Roses Theatre / SNOW WHITE in the Seven Months of Lockdown by Charles Court Opera Company, King's Head Theatre / DECEMBER: A New Play for Christmas Adapted from Charles Dickens 'A Christmas Carol' by Alexander Knott, Bag of Beard, Filmed at Old Red Lion Theatre.

 

Congratulations to all



WINNERS ANNOUNCED 2020

online ceremony October 2020

PUB THEATRE OF THE YEAR 2020

NEIL MCPHERSON

FINBOROUGH THEATRE



RUNNER-UP FOR PUB THEATRE OF THE YEAR 2020  

MICHAEL KINGSBURY

WHITE BEAR THEATRE



LIFETIME ACHIEVEMENT AWARD    

JOHN and KATIE PLEWS

UPSTAIRS AT THE GATEHOUSE



COMMENDATION FOR SERVICES TO PUB THEATRES

For exceptional representation of our society's real diversity 

TESSA HART, REBECCA PRYLE, and VELENZIA SPEARPOINT

BREAD AND ROSES THEATRE


Inaugural 
STANDING OVATION AWARD WINNERS 2020 

Finalists with Winners announced in red



BEST PRODUCTION (London based companies)

CHAPLIN BIRTH OF A TRAMP by Ross McGregor, produced by Arrows and Traps at Brockley Jack Theatre

Triple bill: NUCLEAR WAR by Simon Stephens/BURIED by David Spencer AND GRACELAND by Max-Saunders-Singer, produced by Bag of Beard Collective & Boxless, at Old Red Lion Theatre

CALL ME FURY by Sasha Wilson (further devised by the company), produced by Out of The Forest at The Hope Theatre

AT LAST by James Lewis & Alexander Knott, Proforca Company at Lion and Unicorn Theatre

TRYST by Karoline Leach, starring Fred Perry and Scarlett Brookes, in house show at Chiswick Playhouse

THE HOUSE OF YES by Wendy MacLeod, Directed by Matthew Parker at The Hope Theatre



BEST REDISCOVERY / ADAPTATION

A CHRISTMAS CAROL (Charles Dickens) at Bridge House Theatre

THE WIND OF HEAVEN by Emlyn Williams at Finborough Theatre

MOBY DICK by Herman Melville adapted and directed by Douglas Baker at Brockley Jack Studio Theatre

 


BEST TRANSFER FROM OUTSIDE LONDON

 THE VIOLENCE SERIES TRIPLE BILL by The Other Room Theatre (Cardiff) at Theatre503

        Three plays AMERICAN NIGHTMARE by Matthew Bulgo

                                  THE STORY by Tess Berry-Hart

                                  HELA by Mari Izzard

A PRAYER FOR WINGS by Sean Mathias, transferred to The King’s Head from Swansea Grand Theatre



FOR OUTSTANDING THEATRICALITY

TRYST by Karoline Leach at Chiswick Playhouse

THE HOUSE OF YES by Wendy MacLeod at The Hope Theatre



INNOVATIVE PLAY

EMPTY IN ANGEL by James Woolf , starring Darcy Elizabeth Willison at White Bear Theatre (skewering the gig economy - The set was a fixed-wheel messengers’ bicycle on rollers and two screens to project the GoPro footage provided by real-life courier Giovanni ‘Overkill’ Adebay)

MOBY DICK by Herman Melville adapted by Douglas Baker at Brockley Jack Studio Theatre (environmentalism, and active graphics, presenting a very big book on a very small stage)

CALL ME FURY by Sasha Wilson (further devised by the company), Produced by Out of The Forest Theatre at The Hope Theatre (looks at women and witchcraft through the ages, It’s thought-provoking & has outstanding musicianship)

THE NOISES by Jacqueline Saphra at Old Red Lion Theatre, Presented by Liam McLaughlin productions (audio-described introduction of the set, costume and movements plus other innovation to include the visually impaired – story told from the point of view of a dog)



COMEDY

OOPSY DAISY by Holly McFarlane at Katzpace Theatre

THE INVISIBLE MAN by HG Wells, in house show at Jack Studio

HAPPILY EVER POOFTER Created and performed by Rich Watkins at King’s Head Theatre



NEW PLAY RAISING AWARENESS

NETFLIX & CHILL by Tom Stocks at Drayton Arms Theatre (suicide of young men)

EMPTY IN ANGEL by James Woolf, starring Darcy Willison at White Bear Theatre (skewering the gig economy)

THE BEVIN BOYS by Viv Edwards at Pentameters Theatre, Hampstead, 12-21 July 2019 (young men conscripted to go down the mines during the Second World War)

Winners of the Inaugural

London Pub Theatre of the Year Awards 2019


The inaugural London Pub Theatre of the Year Awards took place at Lion and Unicorn Theatre in Kentish Town on Sunday 27 October. Eighteen pub theatres were in the running for the major title of LONDON PUB THEATRE OF THE YEAR 2019. Run by London Pub Theatres Magazine the event also includes two awards for personal achievement, and joint runners up to the London Pub Theatre of the Year Award.

 


The Awards winners are as follows:

 

LONDON PUB THEATRE OF THE YEAR 2019 is awarded to Adam Spreadbury-Maher (Artistic Director) KING’S HEAD THEATRE

 

King’s Head team lead by Artistic Director Adam Spreadbury-Maher has an outstanding track record for nurturing theatre talent through associate companies, individual artists and the King’s Head director’s training programme. Spreadbury-Maher has also championed fair pay with an equity agreement in unfunded fringe theatres which has had a positive knock on effect in the industry. He has also made a commitment to opera and LGBTQ queer theatre, which has resulted in opera being more accessible and queer stories being enjoyed by all.

 

 

LONDON PUB THEATRE OF THE YEAR 2019 JOINT RUNNERS-UP awarded to

 

Kate Bannister (Artistic Director) and Karl Swinyard (Executive Producer), JACK STUDIO THEATRE

 

And

 

Matthew Parker (Artistic Director), THE HOPE THEATRE

 

Both theatres can boast high quality work with excellent in-house productions.

 

Jack Studio theatre has very imaginative productions and has built up a very loyal local audience. The theatre is very welcoming and is accessible as it’s ground floor.  They are also very supportive of new writing and new artists, nurturing some of the most extraordinary talent coming onto the fringe scene.  It also has outstanding technical capabilities.

 

The Hope Theatre, Islington has an eclectic programme, and is open to new material. Despite being the smallest pub theatre with limitations of space, there’s a lot of invention shown by directors in laying it out in ways that both involve the audience directly and at other times maintain a fourth wall when that’s needed, too.   It does remarkably well to make itself a distinctive venue that competes on quality with much larger venues.

 

 

LONDON PUB THEATRES LIFE-TIME ACHIEVEMENT AWARD goes to Léonie Scott-Matthews (Artistic Director) at Pentameters Theatre

 

Founded by Léonie Scott-Matthews in August 1968, and still going strong after 51 years. Leonie is known for her support of all creatives and the theatre features an eclectic offering of plays from classics to new writing. There’s a regular Sunday night open mic for poetry theatre. It has recently been made a community asset which should safeguard its future. The best asset is Leonie herself and this award recognises the wonderful work she has done over such a long period. Going up the stairs to the comfy theatre you are always offered a warm welcome by Leonie herself on the door.

 

COMMENDATION FOR SERVICES TO PUB THEATRES goes to Katie Danbury (Artistic Director) at Old Red Lion Theatre

 

Awarded to Katy Danbury for her ground-breaking work on equality, inclusion and accessibility.  She has encouraged creative and thoughtful ways of integrating access into theatre productions, with a consistently high standard of work.  She also continues to run the London Horror Festival which opened at Old Red Lion Theatre in 2011 and continues to be part of the cultural landscape in London during the Halloween season.

 

 

The Ceremony

 

The Awards ceremony was generously hosted by David Brady, Artistic Director of both Proforça Theatre Company and Lion and Unicorn Theatre. A champagne reception was followed by an introduction by Heather Jeffery, Founder and Editor of London Pub Theatres Magazine. Thereafter several pub theatres were given a Mention before the Awards Ceremony began. Head Judge was actor, playwright, and theatre director, Richard Braine who played “Gussie” Fink-Nottle in Jeeves and Wooster, and can currently be seen in Holby City.

 



Susan Penhaligon, LPT Patron since July 2017

Susan Penhaligon on pub theatres:

  "Pub Theatres are fantastic, innovative, creative spaces, and that 
creativity feeds back into the industry"
  

I've done three shows at the FINBOROUGH: Hindle Wakes, an early feminist play; Martine, a French play translated by Pinter which was last performed at The National in the 90s and Caste, a Victorian play by TW Robertson, much loved by George Bernard Shaw. 

Although the three plays were written for proscenium arch theatres, they were wonderful to perform at the FINBOROUGH. What worked so well was performing in an intimate space. It makes a play very immediate for the audience, a unique experience you don't get in a larger theatre and it's exciting and challenging to be part of that. 
  
I did a production of Misery at the KING’S HEAD THEATRE, I loved doing that and many years ago I worked at the OLD RED LION in a staged version of a Sylvia Plath poem. 
  
When I started, as a young actor, a lot of us learnt our craft in repertory theatre, the same for directors, designers and stage management. The younger generation today don’t have 'rep' as the circuit no longer exists. Many of them, not only get their first professional experience performing in a pub theatre, but also, they are seen by casting directors, agents and producers (particularly in London). You can tour the UK in a play but hardly any 'industry' people see you. 
  
Also, some of the best critics support the work being performed in pub theatres, people like Michael Billington, so young performers and those of us who've been around for a while, get reviewed. 
  
Pub Theatres are fantastic, innovative, creative spaces, and that creativity feeds back into the industry. 
  
The creative industries are worth a lot of money to this country and I think pub theatres have now become part of the bigger picture. I think it's time for pub theatres to be taken seriously in terms of financial support and to make funding easier and more accessible for the companies putting the plays on. Perhaps pub theatres should get Arts Council grants? Or a system where successful productions feed money back into the Fringe. I don't know. But it would be amazing if it was easier for those brave, inspired creatives to get their show on. 
  
Pub theatres can put on forgotten gems of plays and performances of new writing which often commercial theatres won’t touch. They are keeping alive our theatrical heritage.   
  
  
        - Susan Penhaligon May 2017 

Susan Penhaligon is currently touring in The Mouse Trap

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