PUB THEATRE NEWS 2025

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BARONS COURT THEATRE SISTER VENUE ANNOUNCED



2/4/2024

 

Directors at BARONS COURT THEATRE have announced Arches Lane Theatre, as their new sister venue, a 94-seat Fringe venue in the heart of Battersea.  Arches Lane Theatre at Battersea Power Station, formerly The Turbine Theatre, will open in Spring 2025 under the management of Kibo Productions, run by Artistic Director Sharon Willems and Executive Director Leo Bacica.

 

Sharons Willems said: "We’re super excited to be reopening the theatre and to have a new home for our growing community."


In further news about BARONS COURT THEATRE and their struggle to comply with the local Council's mandade to install new seats, Willems said:  "Last year, we faced an incredibly hard year. There were many days when we didn't know if we would survive as a theatre, and so it brings us such relief and joy to update that our new benches have finally been installed! Our first audiences enjoyed them last week and the response has been wonderful.  We have been working on this for over a year and can hardly believe the seats project is almost complete. There's no way we could have saved Barons Court Theatre without the support and advocacy of our community. Thank you so much for your support; we are so grateful to each of you."


NEW FRINGE THEATRE AWARDS ANNOUNCED

 

2/4/2025

A new theatre awards organisation is now live celebrating the finest performers and creatives in UK fringe theatre.  The Fringe Theatre Awards are designed to recognise the innovation and creativity of work performed in the UK’s smaller theatre venues.  In London alone there are over 100 little theatres.  Set up by a team who all work in the industry, the awards not only reward talented creatives and performers, but also support and promote theatre venues and productions.   


The new awards are led by Executive Director Richard Lambert. Richard’s theatre production company LAMBCO has garnered many accolades. He launched the Garden Theatre in Vauxhall (2023) and the award-winning Stage Door Theatre (2024). He is also the Managing Director of LAMBCO Lighting. 

 

Full details about the Fringe Theatre Awards can be found on the website here

 

OFF WESTEND AWARDS 2025: FULL LIST OF WINNERS & PUB THEATRE TRIUMPHS 


18/3/2025

The OFFIES 15th Annual Awards were held at the spectacular Central Hall Westminster with its beautiful domed roof on Monday 17 March 2025. The star-studded glittering event saw theatre professionals honoured for their work across eight categories. Our interviews with nominees and a full list of winners is below. 

Our award for best dressed goes to OFFIES Patrons LOUISE JAMESON, resplendent in sparkly suit and LINDA MARLOW rocking it in navy blue.  Not to be outdone, Presenter DIVINA DE CAMPO wowed in a drag queen outfit and Executive Producer DENHOLM SPURR was impressive in a contemporary glamorous two piece. 

With the OFFIES change of management effective at the end of last year, comes a new model with just eight categories. Concerns were raised that this would make it tough for smaller theatres to compete but at the beginning of the ceremony it was announced that there would be multiple winners in each section. Many pub theatres were successful in their categories. We caught up with some of the nominees for a chat, but did they win? 

DOUGLAS BAKER was nominated for his adaptation of Kurt Vonnegut’s SLAUGHTERHOUSE-FIVE (Jack Studio Theatre). Anyone who has read the novel will know that it’s a harrowing anti-war SF classic of immense standing. Baker read it at university and wanted to do it because it’s so “baffling, confusing and upsetting … the book is a response to trauma and I think you see that every day, we’re not living in a very quiet time and there’s a lot that can be learned about how troubling it is.” Baker is particularly known for his spectacular video design. The hardest part of putting it together was “the sheer quantity, with 45 different scenes, none of them longer than three minutes and every location is completely different.” Two wins for Baker, one wearing his hat as designer and the other for his production company SO IT GOES.  He’s celebrating with a couple of “bevvies”, and he hopes to bring the show back again. 


MONICA SALVI was nominated for production for her show SPIRITS IN MY CLOSET (Stage Door Theatre). Salvi was one of the first to became aware of the new pub theatre in Covent Garden because she lives just down the road. ‘It had a brilliant lighting rig, and it had intimacy” which was exactly what she needed for her cabaret show about paranormal experiences. “All my life I’ve had this interest, and I’ve had a few experiences”. These fed into her songs, with “sleep paralysis, entities and a script”. Salvi had no intuition that she might be nominated for an award and although she didn’t win, she’s still a winner. 


REBECCA SIMMONDS and JACK MILES were nominated for creating IN CLAY musical (Gatehouse Theatre). IN CLAY is a “lockdown baby”.  Writer Simmonds was looking for composers to work with, and she discovered Miles who is “very into jazz”. The pair had the idea of a story about an artist of ceramics who doesn’t make the big time. “You can spend so much time chasing awards,” laughs Miles as he looks at the award that they have just won, “you can be looking for that kind of validation but it’s more about the creative process when it’s for you and you love doing it and you come away with something you’re really proud of.” IN CLAY has reached a fantastic level of success with upcoming tours to China (translated into Mandarin) and the States. 

NATASHA ROLAND and XHLOE RICE were nominated for their performances in A LETTER TO LYNDON B. JOHN OR GOD: WHOEVER READS THIS FIRST (Kings Head Theatre). The pair are from New York and had their London debut at King’s Head Theatre 2023 (in the days before the theatre moved into a purpose-built venue). Their following is here in the UK. “Luckily, we have such great friends in London now, who let us crash on couches.” The pair are known for very physical work with superb synchronisation.  “it’s based in clown, it’s very absurd, and all our shows have a similar DNA, based on Americana, pop culture and American history”.  After 11 years of friendship and working together, they can even “read each other’s minds.”  So, did they know that they would win, maybe not but they did. 


Other pub theatre winners included designer AMANDA RAMASAWMY for BY THEIR FRUITS (Theatre503), musical director LIAM HOLMES for SONGS FOR A NEW WORLD (Gatehouse Theatre), performer ROSALIND FORD for IN CLAY (Gatehouse Theatre) and writer JULIA THURSTON for PAVED WITH GOLD AND ASHES (Barons Court Theatre).


Also of note, the 2025 SPECIAL AWARD was presented to LYNETTE LINTON & DANIEL BAILEY for MISCHIEF THEATRE’s work on THE PLAY THAT GOES WRONG for a decade of West End success. It’s always a pleasure to remember that this company premiered in a pub theatre, OLD RED LION, in 2012.


The full list of winners is below. 


PRODUCTION 

• Blood Show / Battersea Arts Centre, Chapter Arts Centre, Colchester Arts Centre 

(Battersea Arts Centre) 

• Kurt Vonnegut’s Slaughterhouse-Five (or the children’s crusade) / So It Goes Theatre 

(Brockley Jack Theatre) 

• La Bohème / The Opera Makers (Arcola Theatre) 

• Run, Rebel / Pilot Theatre (Theatre Peckham) 

• Sleeping Beauty / Broadway Theatre (Broadway Theatre, Catford) 

• Sophie's Surprise 29th / Three Legged Race Productions (Underbelly) 

STAGING 

• Hannah Grennell / Giselle: Remix (The Pleasance) 

• Christopher Haydon / Never Let Me Go (Rose Theatre) 

• Tom Littler / Twelfth Night (Orange Tree Theatre) 

PERFORMANCE 

• Natasha Roland, Xhloe Rice / A Letter to Lyndon B. Johnson or God: Whoever Reads This 

First (Kings Head Theatre) 

• Victoria Hamilton-Barritt / Bronco Billy the Musical (Charing Cross Theatre) 

• Mark Weinman / Captain Amazing (Southwark Playhouse) 

• The Cast / Dick Whittington and His Cat (Greenwich Theatre) 

• The Cast and Orchestra / Eugene Onegin (Jacksons Lane) 

• Faye Castelow / Here in America (Orange Tree Theatre) 

• Rosalind Ford / In Clay (Gatehouse Theatre) 

• The Cast / Journey of a Refugee (Stanley Arts Centre) 

• Mariah Gale, Elizabeth Dulau, Alexandra Jensen / The Bleeding Tree (Southwark 

Playhouse) 

• Milo Twomey / The Harmony Test (Hampstead Theatre) 

• Jo Fong, George Orange / The Rest of Our Lives (Battersea Arts Centre) 

• Heather Agyepong, Tosin Cole / Shifters (Bush Theatre) 

• The Cast / Sleeping with Beauty (The Union Theatre) 

• Victoria Yeates / Wormholes (Omnibus Theatre) 

DESIGN 

• Amanda Ramasawmy / by their fruits (Theatre503) 

• Mona Camille / Kim’s Convenience (Park Theatre) 

• Douglas Baker / Kurt Vonnegut’s Slaughterhouse-Five (or the children’s crusade) (Jack 

Studio Theatre) 

• Jack Weir / Remembrance Monday (Tristan Bates Theatre) 

• Ryan Day / Now I See (Theatre Royal Stratford East) 

• Richard Evans, Rochelle Parry Clifford / The Pantomime Adventures of Peter Pan 

(Harrow Arts Centre) 

• Helen Skiera / Toto Kerblammo! (Unicorn Theatre) 

• Casey Jay Andrews, Simon Wilkinson, Gareth Fry / Viola's Room (One Cartridge Place) 

SOUND & MUSIC 

• Xana / King Troll (The Fawn), Shifters, Guards at the Taj (New Diorama/Bush 

Theatre/Orange Tree) 

• Beats And Elements / Romeo & Juliet (Polka Theatre) 

• Liam Holmes / Songs for a New World (Gatehouse Theatre) 

CREATION 

• Rebecca Simmonds, Jack Miles / In Clay (Gatehouse Theatre) 

• Khalil Abdalla / Nowhere / Fuel (Battersea Arts Centre) 

• Benedict Lombe / Shifters (Bush Theatre) 

• Roy Williams / The Lonely Londoners (Jermyn Street Theatre) 

• Ollie Maddigan / The Olive Boy (New Wimbledon Theatre) 

INNOVATION 

• Contra, Le Carré Magique, Cambridge Junction / Spectacle of Herself (Battersea Arts 

Centre) 

INDUSTRY & INCLUSION 

• Birds Of Paradise Theatre Company / Don't. Make. Tea. (Soho Theatre) 

• Julia Thurston / Paved with Gold and Ashes (Barons Court Theatre) 

• Alex Hill / Why I Stuck a Flare Up My Arse for England (Southwark Playhouse) 

OffFEST 

• A Series of Introductory Lectures On Psychoanalysis (Producer: Zoe Hartland, in 

association with Musketeer Productions; Kings Head Theatre) 

• I Wish You Well (StoryWorks & Paul Taylor-Mills; Underbelly) 

• NeuroChatter (Sara Jane Harvey; The Fitzgerald 

• Ni Mi Madre (VagaMundo Productions, Laura Zlatos in association with Paul Morrissey 

Ltd; The Pleasance) 

• Spit In My Face (Something Queer Productions; Camden People’s Theatre) 

• μεταδραματικό / Postdramatic (EXPERIMENTA ART COMPANY AND THEKLA GAITI; 

Cockpit Theatre) 

• PRETTY, WITTY NELL (Rogue Shakespeare; Rotunda Theatre) 

2025 SPECIAL AWARD 

• Mischief Theatre 2025 SPECIAL AWARD Lynette Linton & Daniel Bailey


LOOK FOR THE WOMAN FESTIVAL RETURNS TO ROSEMARY BRANCH THEATRE FOR THE THIRD YEAR

21/2/2025

LOOK FOR THE WOMAN festival of female & femme clowning & comedy returns to Rosemary Branch Theatre for the third year this March. The much loved venue, on the border of Hackney and Islington, has been run by women for the last 29 years.  The festival celebrates Women’s History Month, by putting female humour on full display with a  lineup of comedians, clowns and comics. 


Artistic Director Laura Kileen comments:


"'Cherchez la femme' is a somewhat cheeky French phrase. It embodies a cliché of detective pulp fiction: no matter what the problem, a woman is often the root cause. However, to many of us this could be stated conversely: no matter the woman, there is often a problem she is having to solve. And usually, with a good dollop of humour.

We’re here to look at the past, present and future of performance and all that female and femme creators can make of it. Come to the Rosie this March to celebrate, interrogate, and above all, laugh your head off!"

Some of the highlights include a first look at new work by Lorna Rose Treen (Dave’s Joke Of The Fringe, ★★★★★ Observer, Telegraph), a free event run by LA-based clown Natasha Mercado and many more shows from internationally acclaimed stand ups and creators.


Full details and tickets are on the Rosemary Branch website
here


List of shows:


THE DIRTY THIRTY - IWD SPECIAL

March 7th, 9pm & 8th, 7pm

The Dirty Thirty is the livest of live theatre. Each weekend Degenerate Fox premiere new scripted works in an 

ever-changing menu of theatrical delights, all set right here at the Rosemary Branch Theatre on the day you are 

watching them. These plays could be anything - current affairs, games, dances, songs, dramatic monologues, 

comedic scenes, audience participation, feats of strength and stuff there isn’t a name for yet.


Degenerate Fox - The London Neo-Futurists - are talented performers, writers, directors and theatre-makers from across the globe, some of whom are LGBTQIA+ and disabled. They have been performing their signature show, The Dirty Thirty, as the  resident theatre company of the Rosemary Branch Theatre since April 2017. They have performed at Pleasance Main Space, edfringe, and Camden People’s Theatre.


LORNA ROSE TREEN: WORK IN PROGRESS

March 7th, 7pm

Award-winning, comedy-killing (The Sun), former-Cadbury World-working character comedian Lorna Rose Treen is trying out a bunch of new bits. And who knows, maybe one will win the next Dave’s Joke Of The Fringe? (They probably won’t) .


Creator and star of R4's Time of the Week. Telegraph’s Top 5 Comedy Shows 2023. Chortle’s Best Sketch Act 2024. Chortle’s Best Newcomer 2023. Funny Women Awards’ first-ever double winner (2022).


‍“The most fun a person can have in a room featuring folding chairs” ★★★★★ Observer

“One of the most exciting young comics around” ★★★★★ Telegraph

“I laughed so much I violently bit my tongue” Independent


SOFT CLOWN JAM - FREE EVENT!

March 12th, 7pm-9pm

A playful exploration of physical comedy, sensitivity, and earnestness. This is a space to experiment, take creative risks, and connect with others in front of an audience. Whether you're a seasoned performer or trying something new, join us for an evening of laughter, absurdity, and artistic discovery. 


Performers are invited up in small groups to improvise together, guided by live prompts from LA-based clown and director Natasha Mercado (as seen on The Joe Schmo Show and [adult swim]). All are welcome! Everyone is invited to come hang out to watch and/ or perform for any and all of it.


#1 SON

March 13th & 14th, 7.30pm

LA clown Natasha Mercado invites you to a mass that’s equal parts holy and horny — hosted by God’s sexiest son, Father Greg Orian. Experience a religious awakening like no other. Desire and devotion. Sacred, yet profane. It's like church, but with "smash or pass" revelations about lust, lies and living with your demons... As seen on The Joe Schmo Show and [adult swim].


“Ridiculously funny” ★★★★ The List UK

“Think Drake, but slimier” ★★★★ The Skinny

"Fearless and Completely out of your mind" -David Shiner, Co-Creator of Cirque Du Soleil


THE BEST WOMEN I KNOW

March 16th, 7pm

The Best Women I Know is a comedy celebrating the women in our lives, and the diverse and often absurd experiences of being a woman in today’s world. Join us for a series of comedic sketches and poetry in which we encounter the many faces of women: from dog-mums to dictators, agony aunts and witches, old enemies, new acquaintances, and everything in between. The show platforms the writing and performing talents of women with comedic and poetic backgrounds to bring a rich range of styles and experience. 


TAMSYN KELLY: WORK IN PROGRESS

March 18th , 8pm

Continuing her life’s theme of total chaos, Tamsyn moves to Glasgow to live with a guy she’s known for four months. Struggling to make friends and fit in, Tamsyn goes to see a psychic for reassurance that it will all work out, but instead gets the opposite.


“Hilarious” Independent

★★★★★ Lost in Theatreland

★★★★ Funny Women


CANDACE BRYAN: MILF (MOM I’D LIKE TO FIND) WORK-IN-PROGRESS

March 19th, 7pm

Long distance situationships. Exile in Paris. Unrequited sexts. Shroom trips. Foot fetishes. American standup comedian Candace Bryan was having a wild year, when one night she came face to face with someone unexpected and began to question everything.

In her new work-in-progress show MILF: Mom I’d Like to Find, Candace tells this story and shows that no matter how far and fast you run from your past, it can define you in unexpected ways.

In her sly, deadpan style, she pokes fun at modern dating, maternal relations, life in late capitalism, gender norms, and her own toxic masculinity.

“Maximum laughs” — British Comedy Guide
“Well funny…immediate approachability” — The Mumble
“A global talent” — her visa


TALL TALES & COCKTAILS

March 20th, 7.45pm

An evening where standup comedy & storytelling collide. A cast of female and femme comics will be entertaining an adult audience with crazy tales from their personal experiences with a wicked & comical twist.


THE MAGIC LADY

March 23rd, 7pm

A haphazard showbiz loon enters the Magic Circle after years as a glamorous assistant, stepping out of the shadows cast by famous magicians and into the spotlight to tread the boards once more! It's a faux magic comedy show featuring puppetry, camp surprises, body popping, levitation, exorcisms and hypnotism.


“Deliciously daft” The Guardian

“An electric performer” ★★★★ Everything Theatre


SMALL GIRLS WITH TALL ENERGY

March 26th, 7.15pm

Chantel Nash started performing stand-up comedy half way through 2022 and her effortless charm is winning over audiences one postcode at a time. She has reached the finals of both the So You Think You’re Funny? and BBC New Act competitions last year. Samira Banks is an exciting new comedic talent of middle eastern heritage. She has been making waves on the UK circuit since bursting onto the scene winning the prestigious So You Think You're Funny? Competition in 2023.


AYOADE BAMGBOYE: BREAKING MY SILENCE

March 26th, 9.15pm

A curious look from one of the greatest minds of Nigerian descent - Ayoade Zahrah Bamgboye is finally breaking her silence, because if it is to be said – so it be – so it is.


F*CK AROUND, FIND OUT

March 27th, 7.30pm

F*ck Around, Find Out - the new writing night that does just that. With a twist. 


This March, four writers will have a short extract of their new material performed in front of a live audience. They (the audience) will then vote for the piece they want to see more of – the one that they didn’t want to end. The winner will come back again at a future FAFO for a longer performance, alongside three new pieces, and the game goes on. Are you in? Expect daring, audacious comedy, 10/10 acting, and all in all, a great night out.


WHO TOLD YOU TO BE SMALL

March 28th, 7pm

After a successful run at the Edinburgh Fringe, artist Beth Knight brings her show Who Told You To Be Small back to London. It’s a story of tackling her demons with painting, comedy, and a jab at the patriarchy.


Glasgow-based artist Beth Knight used nude self-portraits to overcome the shame she held about her body. She started small, painting herself in an unflattering light crying, and showing that painting to the world. Piece by piece, she put her loathing about her looks on blast, with each painting becoming larger and more intimate. It culminated in a pop-up gallery using wall-sized advertisement space in the London Underground, with her painted nude portrait standing 5 and a half meters tall for the world to see. She tackled the misogyny around the standards of beauty that kept her hiding her body for decades by diving into the fear with art and laughter. 


Beth received her Master of Fine Arts from the Academy of Art University in San Francisco. In 2023, her paintings have gone on to be included in the Ruth Borchard Self- Portrait Prize exhibition and were in the pre-selections for the Royal Society of Portrait Painters competition. After launching her stand-up career in London last year, she’s performed in top comedy clubs, including The Billy Murray, Monkey Barrel, and The Stand. Now she’s blending her paintings and comedy into an hour show about her fight with internalised patriarchy.


★★★★ ... This show is an example of why the Fringe is wonderful (the show is wonderful too). —One4Review



--


The Rosemary Branch

Theatre. Pub. Kitchen.

2 Shepperton Road

London, N1 3DT

An award-winning theatre & pub.


PRODUCTIONS AT PUB THEATRES ARE OFFIES FINALISTS 2025 

1.2.2025


The Offies finalist are announced, celebrating 15 years of recognising the best of independent theatre in London.  In a new model of eight different categories, finalists include several pub theatres, Upstairs at the Gatehouse, Bread and Roses, Finborough, Stage Door Theatre, Jack Studio, Drayton Arms and Theatre503  (finalists shown below).


The new Executive Producer of the Offies,
Denholm Spurr is joined by ex-Olivier Awards Executive Producer Julian Bird, OBE, through his production company Green Room Ents Ltd, which announces a three-year partnership with the Offies starting this year.


Winners will be announced at a ceremony which will take place at a new partner venue, Central Hall Westminster (right opposite the Abbey) on 17 March 2025.


Pub theatre finalists are listed here:


PRODUCTION


In Clay / Design & Canvas Co (Gatehouse Theatre)


Kurt Vonnegut's Slaughterhouse-Five (or the children’s crusade) / So It Goes Theatre (Brockley Jack Theatre)


Monica Salvi: Spirits In My Closet / Crazy Cat Dive Productions (Stage Door Theatre)


STAGING


Dkfash, Rebecca Solomon / by their fruits (Theatre503)


Grace Taylor / In Clay (Gatehouse Theatre)


Robert Mcwhir / The Story of My Life (Stage Door Theatre)


PERFORMANCE


Rosalind Ford / In Clay (Gatehouse Theatre)



In Clay at Upstairs at the Gatehouse




By Their Fruits at Theatre503

DESIGN


Amanda Ramasawmy / by their fruits (Theatre503)


Rachael Ryan / In Clay (Gatehouse Theatre)


Douglas Baker / Kurt Vonnegut's  Slaughterhouse-Five (or the children’s crusade) (Jack Studio Theatre)


Alex Marker / The Silver Cord (Finborough Theatre)


SOUND & MUSIC


Matt Herbert / In Clay (Gatehouse Theatre)


Liam Holmes / Songs for a New World (Gatehouse Theatre)


Aaron Clingham / Stephen Sondheim's Marry Me a Little (Stage Door Theatre)



Slaughterhouse-Five at Jack Studio Theatre




Marry Me a Little at Stage Door Theatre

CREATION


Che Walker / Burnt Up Love (Finborough Theatre)


Rebecca Simmonds, Jack Miles / In Clay (Gatehouse Theatre)


Ruairi Conaghan/ Lies Where it Falls (Finborough Theatre)


Neil Bartram, Brian Hill / The Story of My Life (Stage Door Theatre)


INDUSTRY & INCLUSION


Justin Hopper / Bedbug (Drayton Arms Theatre)


Luke Madaj / How Did I Get Here (Bread and Roses Theatre)


Julia Thurston / Paved with Gold and Ashes (Barons Court Theatre)


Hugo Pilcher / The Tailor-Made Man (Stage Door Theatre) 



Burnt Up Love at Finborough Theatre




Paved with Gold at Barons Court Theatre


THEATRE503 ANNOUNCES NEW ARTISTIC DIRECTOR along with a new leadership model

9/1/2025 Image: Anthony Simpson-Pike, photography by Adiam Yemane


Theatre503 announces Anthony Simpson-Pike as its new Artistic Director, succeeding Lisa Spirling who departs Theatre503 after eight years to join Stratford East as Artistic Director. In a new leadership model for Theatre503, Anthony will share the role of Joint CEO with Executive Director Emily Carewe. They are joined on the Senior Management Team by Literary Manager Steve Harper, recently appointed Carne Deputy Artistic Director Rochelle Wilson, and a Producer to be recruited next month.


Anthony Simpson-Pike  is an acclaimed director, dramaturg, and writer whose previous leadership roles include Deputy Artistic Director at The Yard Theatre and Associate Director at the Gate Theatre. His recent work includes directing Olivier Award-winning The P Word (Bush Theatre), co-directing the Drama Desk Award-winning Grenfell: in the words of survivors (National Theatre and St Anne’s Warehouse, NYC), directing the Irish Times Theatre Award-nominated An Octoroon (Abbey Theatre) and productions at the Royal Court Theatre, Stratford East and Young Vic. As a dramaturg, he has developed seasons of work for the Gate and The Yard and worked for companies including the RSC, Stratford East, the Royal Court, and BAC.



Anthony Simpson-Pike said: “I can’t wait to get started on working with game-changing writers that are the lifeblood of Theatre503 and I am honoured to build on Lisa’s rich legacy of supporting bold and diverse new writing. Theatre503 holds a vital and unique place in the industry, and in my heart, as the national theatre of debut plays. I have always been inspired by the breadth, ambition and innovation of the stories I’ve seen here. It is a vital space for artists to dare to write their boldest work and for audiences to see plays they couldn’t see anywhere else."

 

Anthony joins the company in February 2025, overseeing the final stages of the 2025 Theatre503 International Playwriting Award (to be announced in Spring), the next steps towards opening the 503Studio at Nine Elms, and programming his first season of work - to be staged from 2026 onwards.

 

CLICK  HERE FOR NEWS STORIES in 2024

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