WHAT'S ON UPSTAIRS AT THE GATEHOUSE


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Upstairs at The Gatehouse,
1 North Road, 
Highgate, London N6 4BD

Tube: Highgate Station (15 mins walk) Archway Station (20 mins walk or take 143, 210 or 271 bus) 
Bus: 143 (Archway–East Finchley–Brent Cross) 210 (Finsbury Park–Golders Green–Brent Cross) 214 (Kentish Town–Camden–Angel–Old Street–Liverpool Street) 271 (Highbury & Islington–Old Street–Liverpool Street) 
Car: Free parking after Noon in residents parking bays and pay & display bays. Parking on single yellow lines after 6.30pm on weekdays & all day at weekends 
NEW SEASON: CLICK ON TITLE FOR DIRECT LINK TO BOX OFFICE  


CAMDEN FRINGE SHOWS

3 - 30 August

The Camden Fringe is a performing arts festival, established in 2006, which takes place in Camden during August. Anyone and everyone is welcome to apply. Previous fringe events have encompassed new writing, opera, musicals, stand-up, sketch comedy, dance, cabaret, poetry, opera, mentalism, improvisation and opera. Shows take place throughout the day and generally last one hour.

The Camden Fringe was set-up as an alternative to Edinburgh Festival, offering performers the chance to try out new material and different ideas in a supportive setting with less time and financial commitments than EdFringe did at the time. The Camden Fringe aims to give anyone the chance to perform and showcase their talents, from very experienced performers and companies, to ambitious newcomers. Since 2006 the Camden Fringe has gained a reputation for supporting acts, providing helpful information and guidance for the acts involved.


SEE FULL PROGRAMME OF SHOWS AT UPSTAIRS AT THE GATEHOUSE HERE

OR pick up a brochure at the venue.




Mammy’s House

1 - 13 Sep 2026

 

Play


Production by:

Spoon, Fork, Knife Productions

MAMMY'S HOUSE
A New LGBTQ+ Irish Play from Amy Clarke & Derek Murphy

Camden, 1985. Behind the door of a London terrace, a queer Irish household is cobbling together a life filled with humour, drag, and a freedom they could never have imagined back home. But their community is on the edge of their greatest challenge yet. Being Irish in the UK is complicated. Being queer and Irish during the early years of the AIDS crisis is downright perilous.

Mammy’s house rises to meet the challenge; offering warmth, care, sarcasm, petty squabbling, and the fierce loyalty of