DECEMBER 2024

SLEEPING BEAUTY by Luke Adamson at Bridge House Theatre, Penge until 30 December 2024

Imaginative and accomplished, small-scale panto.

MONTAGUE’S MILLIONS by Luke Adamson at Jack Studio Theatre until 4 January 2025

A festive hit with Luke Adamson plot and characters in combination with Kate Bannister's direction and Karl Swinyard's set.

THE SNOW QUEEN at Theatre at the Tabard, Chiswick 19 Nov - 4 January

The Snow Queen provides plenty of festive cheer, and the cast are very engaging in bringing this classic story to life with magical storytelling for children.  Wonderful creativity, including the puppet design by Jen Marcus (operated by Caitlin Wood), the set design by Rob Miles, costume design by Alice McNicholas, and lighting Design by Nat Green.

NOVEMBER 2024

KINDLINESS by Daniel Chaves at Barons Court Theatre 17 – 22 November 2024

For Daniel Chaves, playwright who has also produced this show and plays Malcolm, evidently a man of many talents.  Kindliness is a powerful play, an exploration of exclusion, prejudice, war, peace and what makes a family – among other things. It packs a lot of tension and includes a couple of narrative surprises.



FUNERAL TEETH  by Succulent Theatre at Drayton Arms Theatre 12 – 16 November 2024

A fearless production that says a lot with a little.  'Funeral teeth’ is a show about loss, but it’s also a show about joy, the power of female friendships and bouncing back after hardship.

In the Shadow of her Majesty by Lois Tallulah

presented by Gas Money Productions at Jack Studio Theatre 12 - 16 November 2024

Through the complicated lives of six women, the audience are shown the effects of incarceration on those who, though physically outside a system,  become hidden victims of a system which so often becomes focused on those inside the walls, with whip smart dialogue and the disarming effect of laughter and comedy.

THE BUSINESS OF MURDER by Richard Harris at Theatre at the Tabard 23 Oct - 23 Nov 2024

A rapt audience for this beautifully produced revival of Harris' classic murder mystery set in the 80s; clues are liberally sprinkled throughout, there are turns you don’t see coming & an ending that makes perfect sense the second it surprises you. Three superb performances from Miles Gallant, Gary Webster and Charlotte Hunter with a script and direction (Nick Bromley) that takes their confident time.

Read writer Richard Harris’ reflections on writing his sensational thriller here 

 BURNT UP LOVE at Finborough Theatre, 29 Oct - 23 Nov 2024

Playwright Ché Walker, returns to the Finborough for his seventh outing as Director, creating a gripping drama about a prisoner and the reintegration process of prisoners into society.  It is highly polished, uniquely produced and mesmerizingly acted piece.  The set design by Juliette Demoulin is simple, yet complex. The original music composition by Uchenna Ngwe and additional music by Sheila Atim plays like a film score, adding tension where necessary and the impressive lighting design by Juliette Demoulin neglects the use of traditional theatre lighting in favour of the strategically lit candles and torchlight.

OUR WAR at Jack Studio Theatre 20 October – 2 November 2024

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Nomination for actor Oteh-Cole who was excellent as Ola.  It is a moving piece of theatre that explores a vital, often overlooked piece of history, when thousands of West African soldiers died in Burma. Oteh-Cole in particular shines as Ola, a nurse who wants to see the beauty in her work and in England, but is unrelentingly confronted with the horror and ugliness of both.  An effective piece of theatre led by director Kate Bannister.

PILGRIMAGE written and directed by Jack Robertson at Old Red Lion 22-25 Oct and 27 - 30 Nov 2024

Black box theatre at its best, a formidable cast, a tight script, an impressively eerie soundscape which amplifies the tension, and savvy utilisation of lighting drawing out the moments of horror to their fullest, but also playing on the comedic moments.  Very creatively directed.

KURT VONNEGUT’S SLAUGHTERHOUSE-FIVE (OR THE CHILDREN’S CRUSADE) at Jack Studio Theatre 3 – 19 October 2024

With a firecracker script (adapted by Eric Simonson), the play is ambitious, absorbing, funny and poignant; Douglas Baker’s direction is commendable. The use of multimedia,  sound and visuals to enhance their storytelling are excellent.

LUCKY DOG by Tim Connery at Bridge House Theatre 1 - 12 October 2024

Tim Connery’s new play is richly compelling. It takes us to the heart of compulsive gambling as well as intelligently exploring the psychology, philosophy and mathematics of chance. And in the hands of three strong actors.  Director Alex Donald knows how to rack up the tension. There’s one scene in which the roulette wheel is spinning – reflected on the ceiling – and the sound is escalating while Kurt Lucas, as the croupier, mutters numbers sotto voce and we are all on the edge of our seats.

SEPTEMBER 2024

THE STORY OF MY LIFE at Stage Door Theatre 10 Sept – 19 Oct 2024

Jointly, Robert McWhir for his immaculate direction and Aaron Clingham (Musical Director) for ensuring a perfectly pitched chamber musical.   This Broadway transfer (book by Brian Hill and music/lyrics by Neil Bartram) is ideal for the intimate setting of the venue.

The Silver Cord by Sidney Howard at Finborough Theatre 3 - 28 September

Powerful ensemble piece has a terrific cast and unforgettable characters who will stay with you long after the long play is over. A rediscovery from one of the first Broadway writers to make the leap to screenwriting, Howard was tasked with adapting Gone with the Wind for the screen. So, how wonderful to have this chance to hear his work. The Finborough Theatre continues to delight audiences with such glorious rediscoveries in their dramatic attic. And this jewel of a play is no exception.

WINNERS ANNOUNCED ON 20 OCTOBER 2024 View here

AUGUST 2024

HOW DID I GET HERE? By Helen Squires at The Bread & Roses Theatre 20 August – 7 September 2024

A really important play, raising the understanding of addiction, in an illuminating and entertaining way.  Excellent direction (Yusuf Niazi), writing (Helen Squires), dramaturgy (NHS Mental Health doctor Parvinder Shergill) and stellar ensemble of actors  (Luke MadajYan Toby-Amisi, Erica Taveres-Kouassi and Niamh Drumgoole).

THE INCREDIBLY SCARY OBJECT by Joe Evan at Jack Studio Theatre 20 – 31 August 2024

Innovative production which reconciles the gravity of the unfolding drama with an offbeat, breakneck humour.  Assured, intelligent performances from the cast are complemented by astute direction from Jessy Roberts, with an eye for symmetry and the inherent theatricality of the press conference setting. The striking onstage and filmed visuals are in turn facilitated by an eldritch-adjacent original score by Stanley Welch, which thrillingly exploits the unfolding space oddity.

 

ATTENTION SPAN Camden Fringe at The Hen & Chickens Theatre 19 – 22 August 2024

Writer Joseph Hollas and theatre company Brave Mirror bring this sketch comedy highlighting the wonders of the modern world, taking what we know, and making it strange. The cardboard props offer added originality and the cast are spot on.

A Lady Does Not Scratch Her Crotch written and performed by Celest Cahn, Camden Fringe at Hen & Chickens August 2024

Biting satire for this one woman multi-rolling comedy about how to behave like a woman.   Cahn explores the performativity of gender in a one-woman show that is equal parts silly, sexy and astute.

BEA P. DEIGH written and performed by Arden Winant, directed by Grainne Robson / BPD Productions / Camden Fringe at Lion & Unicorn Theatre

Miserable situations are turned into an hour of slapstick stand-up in this comedy about BPD (borderline personality disorder) from the inside, raising awareness of the condition. Absurd and heartbreaking in equal measure, Winant and Robson have delivered an expert production.

 HANSEL AND GRETAL by Engelbert Humperdinck / Opera Kipling Camden Fringe at Upstairs at the Gatehouse 22 – 25 August 2024

Gingerbread, booze and pill popping: a very modern fairy tale. Based on the well-known Grimm Brothers’ fairy tale, it is a musical gem, and Opera Kipling more than did it justice. Their version was set in the 1950s, with a family struggling with poverty: an alcoholic father, a pill popping mother and irrepressible children full of playfulness and love.

PROTOTYPE Camden Fringe at Old Red Lion Theatre 13 – 16 August

Performed and written by Steph Darcey, she filled the room with contagious laughter from start to finish as ‘Amexa,’ the world’s first AI politician, who is ‘slick, relatable and charismatic with democracy infiltrating capacities’.   ‘Prototype’ is an original and deeply layered satire.

ENOUGH by Emily Hunter, Moonstone Plays, Camden Fringe at Lion and Unicorn Theatre 8 – 10 August 2024

“Enough” is a powerful, thought-provoking piece of theatre raising questions about attitudes in the police force; if you can’t trust those who are supposed to uphold the law and protect you, who can you trust?  The play boasts a tight script, firm direction and an impressive sound design with sterling performances from the main cast.

CARELESS TALK Camden Fringe at Rosemary Branch Theatre 7-9 Aug 2024

Based on  novel by James Friel, a true story about a woman who preferred to live in the realm of fantasy.  Adapted and performed by Ali Williams who effortlessly embodies all the characters in a tour de force performance, displaying a range of accents and mannerisms at a heady pace, with great skill and vitality.

HOW CAN(T) I HELP? Written and performed by Holly Gow / Camden Fringe at The Lion and Unicorn Theatre 2 - 3 August 2024

Solo show written by the performer is delightfully engaging, witty, and relatable.  50 minutes of impressions, and anecdotes from Gow's time in the front row at the NHS and a heart-warming core. Guttural belly laughs from the audience indicated Gow’s seamless ability to multi-role as a host of hilarious clientele.

JULY 2024

ROSALINE AND JULIET by Tale Blazers Theatre Company / Camden Fringe festival at The Lion & Unicorn Theatre 29 July - 1 Aug

An inventive, modern take on Romeo & Juliet, with an underlying feminist message of sisterly bonds and knowing your own self-worth.

 “Rosaline and Juliet” is a fresh and engaging comedy with exemplary performances, an elegant set and a fast-paced witty script. The superb comedic timing of both actresses, Lara Lawman and Lily Roberts (who is also the writer), make this a delight to watch.

Animal Farm adapted by Paul Stebbings / Produced by TNT Theatre, Théâtre du Héron & ADG Europe at Golden Goose Theatre 9 - 20 July 2024

Nomination for ensemble.  Excellent characterisations, whether animal or human and the cast also managed the use of props and using pillowcases as small farm animals.  They also disassembled / reassembled the structural set at break neck speed, to create a windmill, a barn & other farm buildings.  Hugely demanding roles, brilliantly accomplished.

Tony Wadham - Boxer/Old Major

Gerald Dorrity - Snowball/Whymper/Goose

Bastian Tyrko - Dog/Squealer

Jack Herlihy - Farmer Jones/Cow/Crow

Janeks Babidorics - Napoleon

MIDNIGHT TATTOOS by Philip Landon / Lost Girl Productions at The Drayton Arms Theatre 9 – 13 July 2024

Nomination for new writing.  Philip Landon's debut play Midnight Tattoos is anything but normal or predictable. The writer has cleverly created a romantic comedy wrapped around a literary enigma, and under the direction of Olivia Munk, the audience is thoroughly entertained and intrigued throughout the 2 hour run time.

DRESSING GOWN by Andrew Cartmel at The Tabard 10 - 27 July 2024

Excellent direction (Jenny Eastop) and four superb performances (Jamie Hutchins, Ryan Woodcock, Rosie Edwards & Freya Alderson) in this comedy about a man who just wants to get out of his dressing gown and put some clothes on but keeps being interrupted. The dialogue, full of misunderstandings and one-liners, takes us back to the classic era of farcical comedies, and there are moments of utter genius throughout.

Yoga & Sex … for Women (over 40) by Kathryn Haywood & Dan Mersh at Canal Cafe Theatre 8-13 July 2024

Polished comedy, with performer kathryn Haywood keeping the pace going and the gags coming.  The show pokes fun at Aussie yoga books from the ‘60s and their tips for women and sex.  A source of amusement in themselves, the show reveals how attitudes have moved on and uses some very creative and successful audience participation.

DC Richard Head by Luke Rose, produced by Broken Gods, directed by Holly-Anne White at Canal Café 25 June – 7 July 2024

A murder conspiracy becomes an ideal vehicle to allow writer and performer Luke Rose to string together a series of skits to show off his physical comedy, improvisation and stand-up skills.

Rose’s over the top energy swept up the audience (with participation) and sustained the piece perfectly.

JUNE 2024

PHALANX by Alex Ansdell at Lion & Unicorn Theatre 25 – 28 June 2024

A layered, touching (and very funny) football themed script served by a stellar cast.  With all seven characters on stage at all times, Phalanx is a play that will stand or fall by its performances. Under David Frias-Robles' direction, these are uniformly excellent. Actors: Mason Dhokia, Gruff Williams, Alex Ansdell, Isaac Gray, Rufaro Mada, Haydn Watts,  Will Darvin

EUCHARIST by Saskia Mollard and Tobias Abbott / Springbok Production House at Etcetera Theatre 15 - 19 June 2024

This dystopian thriller, written and played by Saskia Mollard and Tobias Abbott, has crisp and compelling dialogue, along with two beautifully nuanced performances.

WHEN ATLAS MET TANTALUS by Tiff Milner at Lion & Unicorn Theatre 4 – 8 June

With a mission statement devoted to telling tales of queer history and unheard voices, Great Egg Theatre company transports audiences to long forgotten times reminding us of the sacrifices made on the road to LGBTQ+ rights, in this involving and atmospheric historical drama.

MAY 2024

THE GREAT PRIVATION (How to flip ten cents into a dollar) at Theatre503 14 May – 1 June 2024

Writer Nia Akilah Robinson's play raises awareness of the grave robbing of black bodies for medical research in  Pennsylvania during the early 1800’s outbreak of Cholera: handled with sensitivity and gritty honesty that the story deserves. Some comedic moments are in sharp contrast to the profundity and importance of the story. A play that stops you in your tracks and demands you explore your heritage and recognise your legacy.  The multi-roling by all four actors (Sydney Sainté, Christie Fewry, Romeo Mika, Jack Gouldbourne) is a joy to watch.

THE HOUSE WE INHERIT at Bridge House Theatre 21 May – 1 June

An engrossing, slow burner, The House We Inherit explores the dynamics between three siblings, movingly and well acted by the cast (SARAH MAJLAND, BOYAN PETROV, ÖNCEL CAMCI). The dialogue and the cast’s delivery felt incredibly natural and believable, each character had a distinctive voice, and its directness grounded us in the everyday.

The Tailor of Inverness, written & performed by Matthew Zajac, at Finborough Theatre 14 May – 8 June 2024

For Ben Harrison’s clever direction which was well paced and full of visually unexpected moments in this powerful story of displacement and survival in war-torn Europe.    The Tailor of Inverness is part of the Finborough’s Theatre’s #VoicesFromUkraine, a programming strand set up in response to the Russian invasion of Ukraine.

KUNSTLER by Jeffrey Sweet at White Bear Theatre until 18 May 2024



This UK premiere of Jeffrey Sweet's play about civil rights lawyer Kunstler, is brought to life by actor Jeff McCarthy along with a stellar performance from Nykila Norman as a brilliant law student.  McCarthy seamlessly conveys the charisma, power and energy of Kunstler’s personality.

CHET BAKER: Let’s Get Lost at Bridge House Theatre 07-18 May 2024

For performer Alfredo Mudie Smart who presents a quite extraordinary skill-set that brings a legend to life.



Banging Denmark by Van Badham at Finborough Theatre 16 April – 11 May 2024

An excellent writer, production team and cast for this rom-com created with a cast of five equally clever characters, with dialogue that zings and bites. A social-issues-based night out that’ll leave you laughing rather than depressed.

THREE QUEENS by Rosamund Gravelle at Barons Court Theatre 23 April – 11 May 2024

A history play, superbly directed by Sharon Willems, beautifully staged and performed (with music by Dimitri Kennaway and lighting design by Leo Bacica)

Burnt Orange Theatre REP company in The Tempest and Constellations at Drayton Arms Theatre

For Burnt Orange Theatre who have launched a new REP company, with two very successful productions developing young artists (16 - 21 years) at Drayton Arms Theatre: William Shakespeare’s The Tempest (April 23rd-27th) and Nick Payne’s Constellations (April 30th-May 4th). 

Image: The Tempest

APRIL 2024

THE DAYLIGHT ATHEIST by Tom Scott / produced by Restless Ecstasy at Old Red Lion Theatre 16 April- 4 May 2024

Outstanding production values for this rare chance to see New Zealander Tom Scott's modern classic with a gripping solo performance from Owen Lindsay.

BETTER YESTERDAY by Anna Stephen, produced by  Honest Fool at Bread and Roses Theatre 16th – 20th April

A brilliantly written dark comedy about a celebrity couple in a tempestuous relationship who are hounded by the paparazzi. Dominic Farrow and Pip Lang are excellent at transporting us from Harold and Sylvia’s playful comedic games through the turmoil of their recent past and into the tragedy that is their inevitable future.

SWEET NOTHINGS by Raegan Payne at Barons Court Theatre 2 – 6 April 2024

A show of short dark comic plays by a richly talented playwright digging deep into everyday life, led by a talented ensemble cast. "Sweet Nothings" delivers a tour de force of comedic performances, each actor breathing life into their characters with a perfect balance of wit and vulnerability. Their impeccable timing and seamless chemistry create moments of genuine hilarity, even as the underlying darkness of the story looms ever-present.

Produced by Kibo

Cast: Nicola Rockhill, Lily Rogers, Colette O’Brien, Jack Crutch, Niall Burns

Director: Ed hulme

MARCH 2024

FOAM by Harry McDonald at Finborough Theatre 19 March – 13 April 2024

Moving, provocative, and memorable production about identity, the failure to find it, and the slippery road to right wing extremism.  A special nod to the costume designer Pam Tait for capturing the clothing of the period and highlighting the different view points of the characters.

 

THE GREATEST PLAY OF ALL TIME by Robin Hughes at The Old Red Lion 19 – 30 March 2024

Superb direction (Callum Sharp) and outstanding cast (Martin Coates, Lorne MacNaughton) for this duologue set in the mind of a playwright battling to create the greatest play of all time.

COLD, DARK MATTERS at The Hope 12 – 23 March 2024

Solo show written by the performer, Jack Brownbridge-Kelly, it delights in storytelling tools and Russian-doll trickery.  It has a lot to say about loneliness, and vanishing communities, in the region in which it’s set. But a London audience, too, will find plenty to dive into here.,

IN CLAY at Upstairs at the Gatehouse 16 March – 7 April 2024

Set in 1930s Paris and based on the real life of female ceramicist Marie Berthe Cazin, this is a one-woman musical par excellence, exploring the joys and sorrows of making art.

Starring Rosalind Ford

Book & Lyrics by Rebecca Simmonds

Music & Lyrics by Jack Miles

Direction by Grace Taylor

Lighting Designer Chris McDonnell

Set & costume by Rachel Ryan

The Lady or the Tiger at Theatre at the Tabard 5 - 23 March 2024

Polished performances of the highest calibre for this witty and entertaining musical.  Impeccable musical direction from Philip Shute, accomplished musicianship, and experienced direction from Keith Strachan. 

SARAH Quand Même at Drayton Arms Theatre 20 Feb – 2 Mar 2024

Written and performed by Susie Lindeman, and directed by Wayne Harrison.  Playing both Bernhardt and her granddaughter, Lysiane whose memoir informs much of this script, Lindeman is a theatrical tour-de-force. The costumes are beautiful, the delivery captivating and the set suitably plush.

JAB by James McDermott, directed by Scott Le Crass at Finborough Theatre, 20 February - 16 March 2024

Nomination for this two-hander about a downward spiral of a relationship during lockdown. Actors Kacey Ainsworth and Liam Tobin are excellent, both performers make you forget you are watching a performance but feels rather like caged animals in a tight space. Fractures in their relationship start to show and things really get dark, with rising animosity mingled with tenderness and regret.



FEBRUARY

JEFFREY BERNARD IS UNWELL by Keith Waterhouse at Coach and Horses, Soho 4 - 26 Feb

An hilarious revival of Keith Waterhouse's play set in the very pub where Jeffrey Bernard, Fleet Street’s finest piss artists, really was quite frequently unwell.  Starring Robert Bathurst, he is charm personified in a perfect performance that feels entirely like a charismatic man saying whatever comes into his head rather than an actor remembering a 60-minute script. He has the knack, too, of capturing what it is that makes characters as monstrous as Bernard often was, magnets for a bar full of people eager to hang on his every word.

THE GENTLEMAN OF SHALOTT by Gareth Watkins at The hope Theatre 6 – 17 February

Highly original play (dystopian and absurdist), a subversive retelling of Tennyson's ballad, set in the future in a period of advanced climate change and instead of a woman being objectified, it is a man. Excellent production values with an outstanding set (STEPHEN STEPHENSON), supportive sound and lighting.   Stephen Stephenson's set/props were made completely from recycled/repurposed materials)

THE LIFE AND DEATH OF RICHARD III, after William Shakespeare, Messy Kind Theatre at Barons Court Theatre 5 - 10 February 2024

Actor Joshua J Parker for his role as Richard III, a finely tuned and truthful portrayal  which was totally convincing. Also appropriate to see a disabled actor reclaiming the role and fulfilling it's potential. 



JANUARY

MAGGOTS by Farah Najib at Lion and Unicorn Theatre 20 Jan – 10 Feb 2024

Raising awareness of poor housing conditions and the monstrosity of urban isolation, this is shown through imagination, empathy and even humour, which is used like a sweetener, to gently draw audiences to this fearful place and terrible event.

Read our interview with playwright, Farah Najib, and director, Jess Barton, here.

LOOK BEHIND YOU by Daniel Wain at Theatre at the Tabard, 17 January - 3 February 2024

Nomination for ensemble acting.  2024 marks the 25th anniversary of Strut and Fret's production of Look Behind you, Daniel Wain's farce comedy gem. A very welcome revival, with an excellent ensemble cast.  Ellie Armstrong, Barney Hart Dyke, Cait Hart Dyke, Olivia Jackson, Annabel Miller, Anna Piggott, Steve Pratt, Oliver Redpath, Caroline Ross, Mia Skytt, Matt Tester, and Daniel Wain.

HER SHOES by Megan Marszal at Old Red Lion Theatre (FreshFest festival of new work) 26 – 28 Jan 2024

Compelling drama about the mysterious disappearance of a woman,mirroring real life cases.  Writer Megan Marszal is also the solo performer – showing a huge range with multiple deft characterizations.

FIRE EMBERS ASH by Hailey Mashburn at Barons Court Theatre 16 – 27 January 2024

Honest and unnerving play about a unique group who formed the first all-female aviation regiment in history. From a cheerful beginning the play shows how the women are transformed by the events of the war.

NOT EVEN THE DOGS at Old Red Lion Theatre 16 – 20 January 2024

Outstanding use of lighting (Evie Chandler) and sound in this black box drama bringing to life the dark and harrowing story centered on the Jewish community of Warsaw - from the tense pre-war days of the 1930’s to the depths of Ghetto liquidation in the 1940’s.

Double Act by Nick Hyde at Lion & Unicorn Theatre 9 – 13 January 2024

This excellent production has an innovative treatment.  It is a funny and moving battle of wits between one man’s thoughts on his last day alive, played by Nick Hyde and Oliver Maynard with expert versatility. Nick Hyde's debut play is sensitively researched and director Jef Hall Flavin, seamlessly pulls off the tonal switches between hilarity and tears.

Read our interview with writer Nick Hyde and director Jef Hall Flavin here

DROP DEAD by Blue Pears Productions at Drayton Arms Theatre 2 - 6 January 2024

A fast-paced dark comedy with a laugh-a-minute format, following six ‘mourners’ and their battle for a six-figure inheritance. Through strong characterisation the company creates an engaging portrayal of jealousy, desire, paranoia, and greed.

DECEMBER

OH NO IT ISN’T by Luke Adamson at Jack Studio Theatre 12 Dec 2023 – 6 Jan 2024

Luke Adamson's love letter to regional theatre pantos is a classic two hander where dark secrets are revealed, and the comedy is tinged with high pathos.  The two dames, wonderfully played by Matthew Parker (Mr Chancery) and Bryan Pilkington (Mr Worth), seamlessly show us behind and in front of the curtain. Colour is added by Karl Swinyards' vibrant set design and kudos to director Kate Bannister's smart staging.

THE SECRET GARDEN at The Tabard Theatre 7 – 31 December 2023

A festive, feel-good delight for all the family. This Frances Hodgson Burnett story adapted by Louise Haddington translates beautifully to stage.

 The creative and casting decisions taken by Take Note Theatre Limited effectively coalesce to convey this story with beguiling charm.

Read our interview with director Simon Reilly and writer Louise Haddington on their adaptation of THE SECRET GARDEN here

SPY MOVIE: THE PLAY! by by Matthew Howell and Jack Michael Stacey at The Hope Theatre 5 - 23 December 2023

This is a play that sets out to milk its premise to its limits, and it succeeds admirably. A comedy which really hits the spot on a rainy wintry night.

Blueberries for the Rainbow by Hazel Fattorusso at Bread & Roses Theatre 28 Nov - 2 Dec 2023

Fattorusso's play raises the awareness of postnatal depression, aided by clear direction from Samantha Pears.  It is a very human story which is based in reality, and offers various viewpoints from the mother to the people closest to her.

A Woman Walks Into a Bank by Roxy Cook at Theatre503 November 21 - December 9 2023

Director Roxy Cook's first play is innovative, feeling like a new form.  Bit by bit, the storyline is deconstructed, along with the staging, until we spiral back to where we started.  The production is ably supported by fine acting and design, particular nod to David Allen’s complex set design.

Splinter by Martha Loader at The Jack Studio Theatre 28 November – 2 December

A tender look at early onset dementia; a hauntingly heartbreaking ode to love and memory. At its core, Splinter by Martha Loader is a sensitive and respectful play about dementia, told through the devastating lifecycle of a relationship as it disintegrates in the imagination. It is a straightforward story told extraordinarily well, and with magnificent nuance. Excellent direction from Amy Wyllie.

THE TRIALS OF GALILEO by Nic Young at The Old Red Lion 28 Nov – 02 Dec 2023

Nomination for actor Tim Hardy. Hardy takes on the role of Galileo in this one man show with a sage weariness and benign wisdom. He holds the audience completely with all the tools of physical storytelling: his body, voice and emotion. The audience experience the conflict riven deep into his soul and, as we move through the trial, we witness the growing self-realisation he's at the centre of a right papal stitch-up. With self-loathing, simmering anger and remorse.

NOVEMBER

Alison Skilbeck’s UNCOMMON GROUND at Old Red Lion 21 – 25 November 2023

Written and performed by Alison Skilback, she inhabits six different creatures, gives them a grounded realness, a lot of wry self-reflection, and a beautifully drawn character in a very few minutes.  Each of the six is well articulated, distinct, and interesting. All of them are flawed, all of them are recognisable, all of them are better known and better regarded after Ms. Skilbeck has presented them.

THE WORDS ARE THERE written and performed by Ronan Dempsey/ Nth Degree Productions at The Hope Theatre 14 – 24 Nov 2023

A black box solo show exploring the subject of domestic violence towards men. Dempsey’s physical theatre abilities in enacting the events and activities through miming and precise gestures are captivating, highly emotive, bold and daring.  It is a great reminder of theatre being a medium to create social awareness.

Read our interview with Ronan Dempsey here

FEBRUARY FACE by Keelan Kember at Old Red Lion Theatre 14 - 18 November 2023

‘This is a fine, sensitive, significant piece of writing by Keelan Kember; a tautly written, well judged two hander which is pacy and funny.  It's  an examination of a very real problem: depression and mental illness, 'manning up' and refusing to admit, even to yourself or to anyone how scared you are.   

RED PILL by Sam Went at The Lion & Unicorn Theatre 7 - 25 November

A play raising the profile of the part the internet can play in radicalisation, chillingly conjures up the dangers.  With a notable supporting role from Matt Penson as the hovering presence of Tyler, an internet personality who harnesses the appearance of reasonableness in the service of a hidden agenda.

Read our interview with playwright Sam Went here

KNOCKING ON THE WALL by Ena Lamont Stewart at Finborough Theatre 31 October – 25 November

A rediscovered work of social and political significance , with every part of the production  considered and nothing left to chance.  Director Finlay Glen has mined the dialogue for truth, and this comes through strongly in the performances.

Read Finlay Glen on a playwright before her time, Ena Lamont Stewart, here

THE GIRL IN THE GREEN ROOM by Luke Adamson at Bridge House Theatre, Penge 31 Oct - 11 Nov 2023

Inspired by THE GREEN ROOM written by Penge’s very own Walter De La Mare in 1925, this entirely new work by Luke Adamson, is a theatrical treat ideal for the season.  This ghost story with black box staging has an astonishing number of sound and lighting cues to give atmosphere and add a sense of dread. Joseph Lindoe as Thomas is perfect for the role conjuring up a gentleman of a bygone age.

OCTOBER

I Heart Michael Ball by Alexander Millington at Old Red Lion Theatre (part of Grimfest)

The Millington duo (writer and performer Alexander Millington and director Helen Millington) have masterfully brought this play to life, capturing the audience's attention and drawing us into this charming character's world right from the get-go. Alexander delivers a stellar performance, showcasing vulnerability and a remarkable ability to take the audience on an emotional rollercoaster.

All’s Well That Ends at the Baron Court Theatre, 17th - 21st October 2023

Andrea Tănase’s All’s Well That Ends gets it's UK premiere, directed by Leo Bacica.  It explores the complex psychology of marriage with two characters that struggle to find that satisfactory ending. Fantastically cast (Nicoleta Marica and Gerardo Cabal) and beautifully set.

Are you lovin’ it? by GUMBO at Clapham Fringe Festival at Bread and Roses Theatre 14-15 October 2023

Theatre Group GUMBO, from Japan, bring an Anime style, laugh out loud performance with a strong political current.  The skits are very clever and insightful, reminding us of how far we are all drawn into the madness of buying into brands. What is really in those burgers? It is a question which goes well beyond ‘WacDonalds’. 

AMENDMENTS: A PLAY ON WORDS by Matt Roberts at Old Red Lion Theatre 4 – 14 October 2023

The play AMENDMENTS: A PLAY ON WORDS is very clever writing, hilariously showcasing a scenario of censorship in the setting of an office workplace - what is – and what is not – acceptable to say.  With brilliant performances from Matt Roberts and Al Wadlan giving a greater insight into the absurdity and folly of our society.

THESE DEMONS at Theatre503, 26 September - 14 October 2023

This is an incredibly assured debut play (longlisted for the 2021 Women’s Prize for Playwriting) that establishes Rachel Bellman as a writer to watch. Jasmine Teo’s capable direction brings the tightly written and clever script to life with three very good performances from Olivia Marcus, Liv Andrusier, and Ann Marcuson. A particular mention to Sophie Firth for her set and costume Design.

HEDDA GABLER by Henrik Ibsen at Jack Studio Theatre 3 – 14 October 2023 (transferred from Bread and Roses Theatre)

An incisively edited 90-minute version, produced by Fish Don’t Matter Theatre Company, brings contemporary direction and performances to this classic play. From the narratively powerful use of lighting to the unsettling use of piano music to the stylized choreography of the cast, this production confidently conjures Ibsen's tale.

FELL by Chris Salt at Barons Court Theatre 3 - 7 Oct 2023

Captures the sentiments of youth in a unique environment of the Lake District.  The authenticity of the characters is achieved through two very accomplished performances from Ned Cooper and Tom Claxton.  With gripping dialogue Salt’s script delicately peels the layers from each of them until they are as exposed as the fields around them. It is a beautifully constructed relationship which, although brief, never feels forced.

Read our interview with Royal Court playwright Chris Salt here

SEPTEMBER

 PAST TENTS by Seth Jones and David J. Keogh at Jack Studio Theatre 26 – 30 Sept 2023

This show about suicide, depression, and the need to get things off your chest, really brings the message home in a highly original manner.   The unusual premise sets ups some hysterically funny situations with some poignant scenes and showcases masterful acting skills (Seth Jones, David J Keogh and Mark Keegan.  

Read producer David J Keogh's article on 'lessons learnt from a first time tour producer' here

Why I Stuck a Flare Up My Arse for England at Old Red Lion Theatre 26-30 Oct

It’s in imagining what led to this moment in one man’s life and what came afterward that Alex Hill (writer and performer in this one-man show) has created a unique tale bursting with comedy and moments of touching poignancy. The end result is something bombastic, brash and brilliant.

THE LADY WITH A DOG at Upstairs at the Gatehouse 13 Sept – 8 Oct 2023

Adapted from Chekhov's short story written in 1899, Mark Giesser has done an excellent job of placing it deftly into the 1920s, and the cast must be complimented on their performance.

Read our interview with Award winning actor Beth Burrows on reprising her starring role in The Lady With a Dog here

BREAST BARING by Jacob Newton / Dawn Train Theatre Company at Lion and Unicorn theatre

Nomination for Director Lucinda Freeburn, who uses a variety of innovative methods to convey the text. Each scene is skillfully painted and by providing such a wonderful canvas, Freeburn is able to accentuate some commendable acting performances.

FORGIVENESS at The White Bear Theatre & Rosemary Branch

Solo show written and performed by Tyna Taskila & directed by Sam Edmunds which tackles the subject of childhood abuse & trauma.  A raw and powerful story of hope, resilience and new beginning at the end of a dark tunnel. 

THE OLD QUEEN’S HEAD at The Lion and Unicorn 20 – 24 September 2023

Sunk in post-break-up hell, David—written and played by David Patterson—bickers with his old imaginary friend, Queen Elizabeth, about what he should do next. He takes us through his life journey, conjuring up ex-boyfriends, uni mates and grandmothers along the way, seamlessly switching between them all, without sacrificing a scrap of his protagonist’s emotional journey.

THE UGLY ONE by Marius Von Mayenburg at The Hope Theatre 12 - 23 September 2023

First performed upstairs at the Royal Court in 2007, and given a fresh lease of life by a talented new generation of Bristol Old Vic graduates, this is a great opportunity for audiences to experience this bitingly witty and socially pertinent satire. this entertaining, non-naturalistic black box production is confidently directed by Natalie Simone.

BIRTHRIGHT by TC Murray at Finborough Theatre 5 - 30 September 2023

Two brothers, one inheritance. TC Murray’s 1910 intense family drama is given new life at the Finborough. It’s a classic piece solidly constructed, set in a single-set farmhouse in rural County Cork that finds all the fissures and connections the combination of four main characters can present.

A particular mention to Padraig Lynch who deserves a nom as a really uncompromising dad.