Review: Cinderella at Kings Head Theatre 30th November - 5th January

‘Every character fizzes with delight and charisma’ ★★★★★ 

Nestled just beyond the steps of the new Kings Head Theatre is a delightful retelling of Cinderella, marking the venue’s first-ever family pantomime to close out what has been a stellar year. And what a spectacular show it is!

This is truly a magnificent production, which follows the folktale about doting step-sisters and a handsome prince, but in between there are endearing musical numbers and incredibly funny gags. ‘What do all women love?’, says Prince Charming (Joseph Lakehurst). ‘Equality!’ replies Dandini (the brilliant Verity Kirk). ‘No, balls… Dancing Balls’.

There are many of these rib-tickling moments, none more than from the riotous pair of the ugly stepsisters Dalston (Harry Curley) and Peckham (Ella Vaday/Nick Collier). Whilst I thought would be a little bit unbalanced as a duo initially, they really found their feet, especially during physical comedy moments in the hot tub and the river ball’s buffet, peppered with clever quips.

The story follows Cinderella (Maddy Erzan-Essien) who after her step-mother (voiced by Miriam Margolyes) jets off to Turkey for a touch up, or two… or three…. she left to the guardianship of her wicked step-sisters. When fate strikes she meets the Prince, and with the help of her Fairy Codmother (Lucia Vinyard) is whisked to the river ball. 

There is so much for children, and equally a show that almost felt was written for adults, bruisingly blue in its double entendres and sharp references. 

I can’t, of course, forget about Buttons (Robert Rees) who was a lynchpin for the story and was a great presence on stage oozing out bundles of optimistic energy and endearing innocence. 

The high-energy pop covers and glorious arrangements are infectious and sung beautifully. Amid the riotousness, there is heart and soul. The magnetic Fairy Codmother (whose wand was created by world-renowned sculptor Andrew Logan MBE) gave moments that were big and deserving of a party. Whereas Cinderella (who has a wonderful singing voice) is tender and sung with heart, fit for the drama of the moment. 

The production finds a winning script, stuffed full of gags, one-liners, and side splitting sequences in writer-director Andrew Pollard, whose zingy story jumps straight off the page- the set and costume designer Gregor Donnelly creates costumes that are as glamorous as they are playful, set against one of the most impressive sets I've ever seen in this former pub theatre.

Just as was written in the production notes this pantomime truly is in the spirit of collaboration. Little Angel Theatre associate offering an impressive cameo of the puppet of Quackers the duck which was crafted so elegantly. 

What this show has accomplished is remarkable. It could easily grace the stage of any major theatre across the country and draw packed audiences. Each character brims with charisma and charm, making it all the more impressive that this magic unfolds in one of the smallest venues currently hosting a pantomime.

If this is indeed North London's inaugural traditional family pantomime, it sets a high bar for future productions. It is utterly uplifting, a festive celebration that the entire family can enjoy!

Cinderella 

Written & Directed by Andrew Pollard

Kings Head Theatre 

30th November to 5th January 

From £10 to £40 

https://kingsheadtheatre.com/whats-on/cinderella